|Mis en vente dans la catégorie :
Cet objet est en rupture de stock.
Vous en avez un à vendre ?

The Aesthetics of Comics par David Carrier : d'occasion-

Texte d'origine
The Aesthetics of Comics by David Carrier: Used
État :
non indiqué
Prix :
29,73 USD
Environ27,38 EUR
Livraison :
Gratuit Standard Shipping. Afficher les détailspour la livraison
Lieu où se trouve l'objet : Sparks, Nevada, États-Unis
Délai de livraison :
Estimé entre le sam. 25 mai et le jeu. 30 mai à 43230
Les délais de livraison sont estimés au moyen de notre méthode exclusive basée sur la distance entre l'acheteur et le lieu où se trouve l'objet, le service de livraison sélectionné, l'historique des livraisons du vendeur et d'autres facteurs. Les délais de livraison peuvent varier, notamment pendant les périodes de pointe.
Retours :
Retour sous 30 jours. L'acheteur paie les frais de retour. Afficher les détails- pour en savoir plus sur les retours
Paiements :
     

Achetez en toute confiance

Garantie client eBay
Obtenez un remboursement si vous ne recevez pas l'objet que vous avez commandé. 

Détails sur le vendeur

Inscrit comme vendeur professionnel
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :403938074674
Dernière mise à jour le 25 avr. 2024 02:16:50 Paris. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

Author
Carrier, David
Book Title
The Aesthetics of Comics
Publication Date
2000-02-01
Pages
152
Publication Year
2000
Artist/Writer
David Carrier
Type
Textbook
Format
Hardcover
Language
English
Publisher
Pennsylvania STATE University Press
Genre
Literary Criticism, Philosophy, Comics & Graphic Novels

À propos de ce produit

Product Information

From Gary Larson's The Far Side to George Herriman's Krazy Kat , comic strips have two obvious defining features. They are visual narratives, using both words and pictures to tell stories, and they use word balloons to represent the speech and thought of depicted characters. Art historians have studied visual artifacts from every culture; cultural historians have recently paid close attention to movies. Yet the comic strip, an art form known to everyone, has not yet been much studied by aestheticians or art historians. This is the first full-length philosophical account of the comic strip. Distinguished philosopher David Carrier looks at popular American and Japanese comic strips to identify and solve the aesthetic problems posed by comic strips and to explain the relationship of this artistic genre to other forms of visual art. He traces the use of speech and thought balloons to early Renaissance art and claims that the speech balloon defines comics as neither a purely visual nor a strictly verbal art form, but as something radically new. Comics, he claims, are essentially a composite art that, when successful, seamlessly combine verbal and visual elements. Carrier looks at the way an audience interprets comics and contrasts the interpretation of comics and other mass-culture images to that of Old Master visual art. The meaning behind the comic can be immediately grasped by the average reader, whereas a piece of museum art can only be fully interpreted by scholars familiar with the history and the background behind the painting. Finally, Carrier relates comics to art history. Ultimately, Carrier's analysis of comics shows why this popular art is worthy of philosophical study and proves that a better understanding of comics will help us better understand the history of art.

Product Identifiers

Publisher
Pennsylvania STATE University Press
ISBN-10
027101962x
ISBN-13
9780271019628
eBay Product ID (ePID)
6038280881

Product Key Features

Genre
Literary Criticism, Philosophy, Comics & Graphic Novels
Publication Year
2000
Language
English
Artist/Writer
David Carrier
Type
Textbook
Format
Hardcover

Dimensions

Item Length
9in
Item Height
0.4in
Item Weight
16 Oz
Item Width
6in

Additional Product Features

Number of Pages
152 Pages
Publication Name
Aesthetics of Comics
Lccn
99-017980
Dewey Decimal
741.5/01
Lc Classification Number
Pn6710.C35 2000
Copyright Date
2000
Dewey Edition
21
Reviews
"David Carrier has written a most perceptive and readable account of that great American apparatus-the comic strip. Historically accurate and philosophically bracing, this is a truly terrific book. Carrier has done a necessary and brilliant service, and he has provided a true gift to all who admire the comic strip tradition." -Archie Rand, Columbia University, "Carrier is an academic philosopher who also works as an engaged commentator on contemporary art. His writings tend to be full of witty rhetorical constructions, and thus they are entertaining to read in ways that most contemporary academic writing, whether on philosophy or art or both, is not." --Bill Berkson, San Francisco Art Institute, &"Carrier is an academic philosopher who also works as an engaged commentator on contemporary art. His writings tend to be full of witty rhetorical constructions, and thus they are entertaining to read in ways that most contemporary academic writing, whether on philosophy or art or both, is not.&" &-Bill Berkson, San Francisco Art Institute, "An indispensable and enjoyable contribution to discussions dealing with the end of Modernism, the function of art history, and the will to form a healthy development beyond current mannerist, postmodern malaise." --Mark Staff Brandl, The Art Book, "The ingenuity with which the classical comic strip artists found ways of telling whole stories in four or five panels has been insufficiently appreciated by philosophers or historians of art. Carrier has written a marvelous book on these narrative strategies, from which we cannot but learn something about how the mind processes pictorial information and how the Old Masters coped with the urgent stories simple people had to understand." -Arthur Danto, Columbia University, "An indispensable and enjoyable contribution to discussions dealing with the end of Modernism, the function of art history, and the will to form a healthy development beyond current mannerist, postmodern malaise." -Mark Staff Brandl, The Art Book, "Carrier is an academic philosopher who also works as an engaged commentator on contemporary art. His writings tend to be full of witty rhetorical constructions, and thus they are entertaining to read in ways that most contemporary academic writing, whether on philosophy or art or both, is not." -Bill Berkson, San Francisco Art Institute, &"The ingenuity with which the classical comic strip artists found ways of telling whole stories in four or five panels has been insufficiently appreciated by philosophers or historians of art. Carrier has written a marvelous book on these narrative strategies, from which we cannot but learn something about how the mind processes pictorial information and how the Old Masters coped with the urgent stories simple people had to understand.&" &-Arthur Danto, Columbia University, &"Carrier&'s gracefully erudite book will do for the comics what Stanley Cavell has done for Hollywood movies.&" &-George J. Leonard, Universal Pictures, "David Carrier has written a most perceptive and readable account of that great American apparatus--the comic strip. Historically accurate and philosophically bracing, this is a truly terrific book. Carrier has done a necessary and brilliant service, and he has provided a true gift to all who admire the comic strip tradition." --Archie Rand, Columbia University, "The ingenuity with which the classical comic strip artists found ways of telling whole stories in four or five panels has been insufficiently appreciated by philosophers or historians of art. Carrier has written a marvelous book on these narrative strategies, from which we cannot but learn something about how the mind processes pictorial information and how the Old Masters coped with the urgent stories simple people had to understand." --Arthur Danto, Columbia University, &"An indispensable and enjoyable contribution to discussions dealing with the end of Modernism, the function of art history, and the will to form a healthy development beyond current mannerist, postmodern malaise.&" &-Mark Staff Brandl, The Art Book, "Carrier's gracefully erudite book will do for the comics what Stanley Cavell has done for Hollywood movies." -George J. Leonard, Universal Pictures, "Carrier's gracefully erudite book will do for the comics what Stanley Cavell has done for Hollywood movies." --George J. Leonard, Universal Pictures, &"David Carrier has written a most perceptive and readable account of that great American apparatus&-the comic strip. Historically accurate and philosophically bracing, this is a truly terrific book. Carrier has done a necessary and brilliant service, and he has provided a true gift to all who admire the comic strip tradition.&" &-Archie Rand, Columbia University
Target Audience
Scholarly & Professional
Illustrated
Yes
Topic
Nonfiction / General, American / General, Aesthetics, Comics & Graphic Novels

Description de l'objet fournie par le vendeur

Informations sur le vendeur professionnel

Alibris, Inc.
Rob Lambert
2560 9th St
Ste 215
94710-2565 Berkeley, CA
United States
Afficher les coordonnées
: liam-e esserdAmoc.sirbila@90_skoob_flah
Je certifie que toutes mes activités de vente seront conformes à toutes les lois et réglementations de l'UE.
AlibrisBooks

AlibrisBooks

98,5% d'évaluations positives
1,8 millions objets vendus
Visiter la BoutiqueContacter

Évaluations détaillées du vendeur

Moyenne pour les 12 derniers mois

Description exacte
4.9
Frais de livraison raisonnables
4.9
Livraison rapide
4.9
Communication
4.9
Inscrit comme vendeur professionnel

Évaluations en tant que vendeur (459 613)

g***a (870)- Évaluations laissées par l'acheteur.
Dernier mois
Achat vérifié
Good deal
e***p (366)- Évaluations laissées par l'acheteur.
Dernier mois
Achat vérifié
It came in great shape and the shipping was prompt!
i***s (422)- Évaluations laissées par l'acheteur.
Dernier mois
Achat vérifié
Great seller

Notes et avis sur le produit

Aucune note ni aucun avis pour ce produit
Rédigez un avis en premier.