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Construire un lieu d'architecture critique en Chine : criticité intermédiaire-
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Environ39,38 EUR
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Lieu où se trouve l'objet : Center Moriches, New York, États-Unis
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Numéro de l'objet eBay :403117439980
Dernière mise à jour le 06 sept. 2024 17:20:54 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Book Title
- Constructing a Place of Critical Architecture in China: Intermed
- ISBN
- 9781472463692
- Subject Area
- Architecture, Business & Economics
- Publication Name
- Constructing a Place of Critical Architecture in China : Intermediate Criticality in the Journal Time + Architecture
- Publisher
- Routledge
- Item Length
- 9.6 in
- Subject
- History / Contemporary (1945-), Industries / Media & Communications, Criticism, Regional, History / General
- Publication Year
- 2015
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Item Weight
- 24.1 Oz
- Item Width
- 7 in
- Number of Pages
- 256 Pages
À propos de ce produit
Product Identifiers
Publisher
Routledge
ISBN-10
1472463692
ISBN-13
9781472463692
eBay Product ID (ePID)
211930412
Product Key Features
Number of Pages
256 Pages
Publication Name
Constructing a Place of Critical Architecture in China : Intermediate Criticality in the Journal Time + Architecture
Language
English
Subject
History / Contemporary (1945-), Industries / Media & Communications, Criticism, Regional, History / General
Publication Year
2015
Type
Textbook
Subject Area
Architecture, Business & Economics
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
24.1 Oz
Item Length
9.6 in
Item Width
7 in
Additional Product Features
Intended Audience
College Audience
LCCN
2015-012114
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
720.9510904
Synopsis
For the past 30 years, The Chinese journal Time + Architecture (Shidai Jianzhu) has focused on publishing innovative and exploratory work by emerging architects based in private design firms who were committed to new material, theoretical and pedagogical practices. In doing so, this book argues that the journal has engaged in the presentation and production of a particular form of critical architecture - described as an 'intermediate criticality' - as a response to the particular constraints of the Chinese cultural and political context. The journal's publications displayed a 'dual critique' - a resistant attitude to the dominant modes of commercial building practice, characterised by rapid and large-scale urban expansion, and an alternative publishing practice focusing on emerging, independent architectural practitioners through the active integration of theoretical debates, architectural projects, and criticisms.This dual critique is illustrated through a careful review and analysis of the history and programme of the journal. By showing how the work of emerging architects, including Yung Ho Chang, Wang Shu, Liu Jiakun and Urbanus, are situated within the context of the journal's special thematic editions on experimental architecture, exhibition, group design, new urban space and professional system, the book assesses the contribution the journal has made to the emergence of a critical architecture in China, in the context of how it was articulated, debated, presented and perhaps even 'produced' within the pages of the publication itself.The protagonists of critical architecture have endeavoured to construct an alternative mode of form and space with strong aesthetic and socio-political implications to the predominant production of architecture under the current Chinese socialist market economy. To rebel against certain forms of domination and suppression by capital and power is by no means to completely reject them; rather, it is to use those progressive forces resourcefully within the dominant structure to transform the problematic reality. This critical position, oscillating between resistance and revolution, between cultural commitment and social, economic, and political circumstances, and uniquely manifest within the pages of the Time + Architecture journal, is what is described as an 'intermediate criticality.', For the past 30 years, The Chinese journal Time + Architecture (Shidai Jianzhu) has focused on publishing innovative and exploratory work by emerging architects based in private design firms who were committed to new material, theoretical and pedagogical practices. this book assesses the contribution the journal has made to the emergence of a critical architecture in China, in the context of how it was articulated, debated, presented and perhaps even 'produced' within the pages of the publication itself., For the past 30 years, The Chinese journal Time + Architecture (Shidai Jianzhu) has focused on publishing innovative and exploratory work by emerging architects based in private design firms who were committed to new material, theoretical and pedagogical practices. In doing so, this book argues that the journal has engaged in the presentation and production of a particular form of critical architecture - described as an 'intermediate criticality' - as a response to the particular constraints of the Chinese cultural and political context. The journal's publications displayed a 'dual critique' - a resistant attitude to the dominant modes of commercial building practice, characterised by rapid and large-scale urban expansion, and an alternative publishing practice focusing on emerging, independent architectural practitioners through the active integration of theoretical debates, architectural projects, and criticisms. This dual critique is illustrated through a careful review and analysis of the history and programme of the journal. By showing how the work of emerging architects, including Yung Ho Chang, Wang Shu, Liu Jiakun and Urbanus, are situated within the context of the journal's special thematic editions on experimental architecture, exhibition, group design, new urban space and professional system, the book assesses the contribution the journal has made to the emergence of a critical architecture in China, in the context of how it was articulated, debated, presented and perhaps even 'produced' within the pages of the publication itself. The protagonists of critical architecture have endeavoured to construct an alternative mode of form and space with strong aesthetic and socio-political implications to the predominant production of architecture under the current Chinese socialist market economy. To rebel against certain forms of domination and suppression by capital and power is by no means to completely reject them; rather, it is to use thos
LC Classification Number
NA1545.D56 2015
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