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Femme avec caméra de cinéma : ma vie de cinéaste russe (Constructs Series) b-
8,99 USD
Environ8,07 EUR
État :
Bon état
Livre ayant déjà été lu, mais qui est toujours en bon état. La couverture présente des dommages mineurs, comme des éraflures, mais n'est ni trouée ni déchirée. Pour les couvertures rigides, la jaquette n'est pas nécessairement incluse. La reliure présente des marques d'usure mineures. La majorité des pages sont intactes. Pliures et déchirures mineures. Soulignement de texte mineur au crayon. Aucun surlignement de texte. Aucune note dans les marges. Aucune page manquante. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts.
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Lieu où se trouve l'objet : Eugene, Oregon, États-Unis
Délai de livraison :
Estimé entre le jeu. 26 sept. et le sam. 28 sept. à 43230
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Numéro de l'objet eBay :386955725873
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Caractéristiques de l'objet
- État
- ISBN
- 9780292713437
- Book Title
- Woman with a Movie Camera : My Life As a Russian Filmmaker
- Book Series
- Constructs Ser.
- Publisher
- University of Texas Press
- Item Length
- 9 in
- Publication Year
- 2006
- Format
- Mass Market
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.6 in
- Genre
- Performing Arts, Biography & Autobiography
- Topic
- Cultural Heritage, Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
- Item Weight
- 14.8 Oz
- Item Width
- 7 in
- Number of Pages
- 288 Pages
À propos de ce produit
Product Identifiers
Publisher
University of Texas Press
ISBN-10
0292713436
ISBN-13
9780292713437
eBay Product ID (ePID)
52847121
Product Key Features
Book Title
Woman with a Movie Camera : My Life As a Russian Filmmaker
Number of Pages
288 Pages
Language
English
Publication Year
2006
Topic
Cultural Heritage, Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Illustrator
Yes
Genre
Performing Arts, Biography & Autobiography
Book Series
Constructs Ser.
Format
Mass Market
Dimensions
Item Height
0.6 in
Item Weight
14.8 Oz
Item Length
9 in
Item Width
7 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-009472
Dewey Edition
22
Dewey Decimal
791.4302/32092 B
Table Of Content
Foreword by Robert Rosen Acknowledgments Introduction Father Childhood Our House Bolshevo Those Times I Will Be a Camerawoman Where to Next? Lessons of Television Teaching The Weavers My First Film Portrait Professional Infatuations Them The Ordeal Compromises Sharp Angles On the Threshold of Change Arkhangelsk Muzhik Oleg Efremov Solovki Power Life Is More Talented Than We Are Perestroika : Another Life A Taste of Freedom Once More about Scripts Earthquake The House on Arbat Street Life with a Camera Technology and Creativity The Prince On Ethics Life with a Camera (Continued) Documentary Trip Filmography of Marina Goldovskaya Appendix: Notable Figures in Soviet Filmmaking and Other Arts
Synopsis
A fascinating autobiography that tells the intertwining stories of one of Russia's best-known documentary filmmakers and the eventful half century of Russian history she has recorded., Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and politicalbarriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience., Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street , The Shattered Mirror , and Solovky Power , has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera , Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience., Marina Goldovskaya is one of Russia's best-known documentary filmmakers. The first woman in Russia (and possibly the world) to combine being a director, writer, cinematographer, and producer, Goldovskaya has made over thirty documentary films and more than one hundred programs for Russian, European, Japanese, and American television. Her work, which includes the award-winning films The House on Arbat Street, The Shattered Mirror, and Solovky Power, has garnered international acclaim and won virtually every prize given for documentary filmmaking. In Woman with a Movie Camera, Goldovskaya turns her lens on her own life and work, telling an adventurous, occasionally harrowing story of growing up in the Stalinist era and subsequently documenting Russian society from the 1960s, through the Thaw and Perestroika, to post-Soviet Russia. She recalls her childhood in a Moscow apartment building that housed famous filmmakers, being one of only three women students at the State Film School, and working as an assistant cameraperson on the first film of Andrei Tarkovsky, Russia's most celebrated director. Reviewing her professional filmmaking career, which began in the 1960s, Goldovskaya reveals her passion for creating films that presented a truthful picture of Soviet life, as well as the challenges of working within (and sometimes subverting) the bureaucracies that controlled Russian film and television production and distribution. Along the way, she describes a host of notable figures in Russian film, theater, art, and politics, as well as the technological evolution of filmmaking from film to video to digital media. A compelling portrait of a woman who broke gender and political barriers, as well as the eventful four decades of Russian history she has documented, Woman with a Movie Camera will be fascinating reading for a wide audience.
LC Classification Number
PN1998.3.G645A3 2006
Description de l'objet fournie par le vendeur
Informations sur le vendeur professionnel
St Vincent de Paul Society of Lane County Inc
Daven Stetson
2890 Chad Dr
97408 Eugene, OR
United States
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Évaluations en tant que vendeur (93 427)
- p***o (799)- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéExcellent transaction. Fast delivery from the West Coast to the East Coast. Securely packaged in a poly mailer for shipping. The book is in "very good" condition exactly as the Seller described. Very satisfied customer. Would buy from this Seller again! ...Thank you!!This Tender Land: A Novel by Krueger, William Kent (n°315324100120)
- t***t (118)- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéVery nice Blu-Ray DVD, virtually flawless, much better than the VG described. Arrived perfectly packaged in an amazingly fast four days! Could not have been more pleased. A++++ seller.
- b***o (122)- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéMy order arrived quickly and it was packaged well. The item was described perfectly and it arrived in amazing shape. The pricing was more than fair. The Seller was very easy to work with and I will order again in the future. This was a great retail experience!!!
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