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Slow Lightning (Yale Series of Younger Poets) : série de jeunes poètes de Yale, Cor-
État :
“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE ”... En savoir plusà propos de l'état
Livraison :
Lieu où se trouve l'objet : Harrisburg, Pennsylvania, États-Unis
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Estimé entre le jeu. 27 juin et le sam. 29 juin à 43230
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Numéro de l'objet eBay :364907623493
Dernière mise à jour le 30 mai 2024 23:48:16 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Très bon état
- Commentaires du vendeur
- ISBN
- 9780300178937
- Book Title
- Slow Lightning
- Book Series
- Yale Series of Younger Poets Ser.
- Publisher
- Yale University Press
- Item Length
- 8.2 in
- Publication Year
- 2012
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.3 in
- Genre
- Poetry
- Topic
- General, American / General
- Item Weight
- 4.8 Oz
- Item Width
- 5.2 in
- Number of Pages
- 96 Pages
À propos de ce produit
Product Identifiers
Publisher
Yale University Press
ISBN-10
030017893X
ISBN-13
9780300178937
eBay Product ID (ePID)
18038307782
Product Key Features
Book Title
Slow Lightning
Number of Pages
96 Pages
Language
English
Publication Year
2012
Topic
General, American / General
Genre
Poetry
Book Series
Yale Series of Younger Poets Ser.
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
4.8 Oz
Item Length
8.2 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2011-044948
Reviews
"[Corral] seamlessly blends English and Spanish in Slow Lightning ."-Craig Morgan Teicher, Publishers Weekly, "[Corral] seamlessly blends English and Spanish in Slow Lightning ."--Craig Morgan Teicher, Publishers Weekly "He mixes colloquial Spanish and English, and he packs many, many lines with sharp, sensual, specific imagery--this is Technicolor poetry. . . . Very engaging."--Ray Olson, Booklist "A classic in the making."--Rigoberto Gonzlez, El Paso Times "By any standard, Slow Lightning is an impressive debut, a gathering of powerful and often defiant poems that are paradoxically realized through formal control."-- Lambda Literary Review "[W]e can make of what would blind us a conduit for changed vision, suggests Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding. . . . Like Hayden, Corral resists reductivism. Gay, Chicano, 'Illegal-American,' that's all just language, and part of Corral's point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out. In Corral's refusal to think in reductive terms lies his great authority. His refusal to entirely trust authority wins my trust as a reader."--Carl Phillips, from the Foreword, "When I finished [ Slow Lightning ] I bawled. Wise and immense."-Junot Diaz, The New York Times Book Review, "[Corral] seamlessly blends English and Spanish in Slow Lightning ."--Craig Morgan Teicher, Publishers Weekly "He mixes colloquial Spanish and English, and he packs many, many lines with sharp, sensual, specific imagery--this is Technicolor poetry. . . . Very engaging."--Ray Olson, Booklist "A classic in the making."--Rigoberto González, El Paso Times "By any standard, Slow Lightning is an impressive debut, a gathering of powerful and often defiant poems that are paradoxically realized through formal control."-- Lambda Literary Review "Corral is a writer that cares both for the poetic line, but also for the bodies that he writes about, for family, legacy, culture, and what it means to be American. I go to this book again and again, and to me, it's a masterpiece."--Ocean Vuong, NPR Morning Edition Winner of the 2011 Whiting Writers Award, as given by the Whiting Foundation Finalist for the 2012 Publishing Triangle Thom Gunn Award for Gay Poetry Honorable Mention, Poetry category at the 2013 New York Book Festival sponsored by JM Northern Media LLC "[W]e can make of what would blind us a conduit for changed vision, suggests Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding. . . . Like Hayden, Corral resists reductivism. Gay, Chicano, 'Illegal-American,' that's all just language, and part of Corral's point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out. In Corral's refusal to think in reductive terms lies his great authority. His refusal to entirely trust authority wins my trust as a reader."--Carl Phillips, from the Foreword, "[W]e can make of what would blind us a conduit for changed vision, suggests Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding...Like Hayden, Corral resists reductivism. Gay, Chicano, 'Illegal-American,' that's all just language, and part of Corral's point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out. In Corral's refusal to think in reductive terms lies his great authority. His refusal to entirely trust authority wins my trust as a reader."--Carl Phillips, from the Foreword, "[W]e can make of what would blind us a conduit for changed vision, suggests Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding…Like Hayden, Corral resists reductivism. Gay, Chicano, "Illegal-American," that's all just language, and part of Corral's point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out. In Corral's refusal to think in reductive terms lies his great authority. His refusal to entirely trust authority wins my trust as a reader."-Carl Phillips, from the Foreword, "[Corral] seamlessly blends English and Spanish in Slow Lightning ."--Craig Morgan Teicher, Publishers Weekly "He mixes colloquial Spanish and English, and he packs many, many lines with sharp, sensual, specific imagery--this is Technicolor poetry. . . . Very engaging."--Ray Olson, Booklist "A classic in the making."--Rigoberto González, El Paso Times "By any standard, Slow Lightning is an impressive debut, a gathering of powerful and often defiant poems that are paradoxically realized through formal control."-- Lambda Literary Review Winner of the 2011 Whiting Writers Award, as given by the Whiting Foundation Finalist for the 2012 Publishing Triangle Thom Gunn Award for Gay Poetry "[W]e can make of what would blind us a conduit for changed vision, suggests Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding. . . . Like Hayden, Corral resists reductivism. Gay, Chicano, 'Illegal-American,' that's all just language, and part of Corral's point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out. In Corral's refusal to think in reductive terms lies his great authority. His refusal to entirely trust authority wins my trust as a reader."--Carl Phillips, from the Foreword, "[Corral] seamlessly blends English and Spanish in Slow Lightning ."--Craig Morgan Teicher, Publishers Weekly "Corral is a writer that cares both for the poetic line, but also for the bodies that he writes about, for family, legacy, culture, and what it means to be American. I go to this book again and again, and to me, it's a masterpiece."--Ocean Vuong, NPR Morning Edition "He mixes colloquial Spanish and English, and he packs many, many lines with sharp, sensual, specific imagery--this is Technicolor poetry. . . . Very engaging."--Ray Olson, Booklist "A classic in the making."--Rigoberto González, El Paso Times "By any standard, Slow Lightning is an impressive debut, a gathering of powerful and often defiant poems that are paradoxically realized through formal control."-- Lambda Literary Review Winner of the 2011 Whiting Writers Award, as given by the Whiting Foundation Finalist for the 2012 Publishing Triangle Thom Gunn Award for Gay Poetry Honorable Mention, Poetry category at the 2013 New York Book Festival sponsored by JM Northern Media LLC "[W]e can make of what would blind us a conduit for changed vision, suggests Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding. . . . Like Hayden, Corral resists reductivism. Gay, Chicano, 'Illegal-American,' that's all just language, and part of Corral's point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out. In Corral's refusal to think in reductive terms lies his great authority. His refusal to entirely trust authority wins my trust as a reader."--Carl Phillips, from the Foreword, "[Corral] seamlessly blends English and Spanish in Slow Lightning ."--Craig Morgan Teicher, Publishers Weekly "He mixes colloquial Spanish and English, and he packs many, many lines with sharp, sensual, specific imagery--this is Technicolor poetry. . . . Very engaging."--Ray Olson, Booklist "A classic in the making."--Rigoberto González, El Paso Times "By any standard, Slow Lightning is an impressive debut, a gathering of powerful and often defiant poems that are paradoxically realized through formal control."-- Lambda Literary Review Winner of the 2011 Whiting Writers Award, as given by the Whiting Foundation Finalist for the 2012 Publishing Triangle Thom Gunn Award for Gay Poetry Honorable Mention, Poetry category at the 2013 New York Book Festival sponsored by JM Northern Media LLC "[W]e can make of what would blind us a conduit for changed vision, suggests Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding. . . . Like Hayden, Corral resists reductivism. Gay, Chicano, 'Illegal-American,' that's all just language, and part of Corral's point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out. In Corral's refusal to think in reductive terms lies his great authority. His refusal to entirely trust authority wins my trust as a reader."--Carl Phillips, from the Foreword, Honorable Mention, Poetry category at the 2013 New York Book Festival sponsored by JM Northern Media LLC., "He mixes colloquial Spanish and English, and he packs many, many lines with sharp, sensual, specific imagery-this is Technicolor poetry. . . . Very engaging."-Ray Olson, Booklist
Dewey Edition
23
Series Volume Number
106
Dewey Decimal
811/.6
Synopsis
Eduardo C. Corral is the 2011 recipient of the Yale Series of Younger Poets award, joining such distinguished previous winners as Adrienne Rich, W. S. Merwin, and John Ashbery. Corral is the first Latino poet to win the competition. Seamlessly braiding English and Spanish, Corral's poems hurtle across literary and linguistic borders toward a lyricism that slows down experience. He employs a range of forms and phrasing, bringing the vivid particulars of his experiences as a Chicano and gay man to the page. Although Corral's topics are decidedly sobering, contest judge Carl Phillips observes, "one of the more surprising possibilities offered in these poems is joy." From "Self-Portrait with Tumbling and Lasso" I'm a cowboy riding bareback My soul is whirling above my head like a lasso. My right hand a pistol. My left automatic. I'm knocking on every door. I'm coming on strong . . ., "[Corral] packs many, many lines with sharp, sensual, specific imagery--this is Technicolor poetry."-- Booklist "Corral is a writer that cares both for the poetic line, but also for the bodies that he writes about, for family, legacy, culture, and what it means to be American. I go to this book again and again, and to me, it's a masterpiece."--Ocean Vuong, NPR Morning Edition Eduardo C. Corral is the 2011 recipient of the Yale Series of Younger Poets award, joining such distinguished previous winners as Adrienne Rich, W. S. Merwin, and John Ashbery. The first Latino poet to win the competition, Corral is also winner of the 2011 Whiting Writers Award. Seamlessly braiding English and Spanish, Corral's poems hurtle across literary and linguistic borders toward a lyricism that slows down experience. He employs a range of forms and phrasing, bringing the vivid particulars of his experiences as a Chicano and gay man to the page. Although Corral's topics are decidedly sobering, contest judge Carl Phillips observes, "one of the more surprising possibilities offered in these poems is joy." From "Self-Portrait with Tumbling and Lasso" I'm a cowboy riding bareback My soul is whirling above my head like a lasso. My right hand a pistol. My left automatic. I'm knocking on every door. I'm coming on strong . . .
LC Classification Number
PS3603.O7717S58 2012
Copyright Date
2012
ebay_catalog_id
4
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Numéro de l'objet eBay :364907623493
Dernière mise à jour le 30 mai 2024 23:48:16 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Livraison et expédition
Lieu où se trouve l'objet :
Harrisburg, Pennsylvania, États-Unis
Destination :
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