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How Media and Conflicts Make Migrants par Kirsten Forkert (anglais) Hardcover Boo-

Texte d'origine
How Media and Conflicts Make Migrants by Kirsten Forkert (English) Hardcover Boo
État :
Neuf
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Numéro de l'objet eBay :364802879087

Caractéristiques de l'objet

État
Neuf: Livre neuf, n'ayant jamais été lu ni utilisé, en parfait état, sans pages manquantes ni ...
ISBN-13
9781526138118
Book Title
How Media and Conflicts Make Migrants
ISBN
9781526138118
Subject Area
Social Science
Publication Name
How Media and Conflicts Make Migrants
Item Length
8.5 in
Publisher
Manchester University Press
Subject
Media Studies, Emigration & Immigration, Anthropology / Cultural & Social
Series
Manchester University Press Ser.
Publication Year
2020
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.7 in
Author
Gargi Bhattacharyya, Kirsten Forkert, Janna Graham, Federico Oliveri
Item Width
5.4 in
Number of Pages
224 Pages

À propos de ce produit

Product Information

Based on interviews and workshops with refugees in both countries, the book develops the concept of "migrantification" - in which people are made into migrants by the state, the media and members of society.

Product Identifiers

Publisher
Manchester University Press
ISBN-10
1526138115
ISBN-13
9781526138118
eBay Product ID (ePID)
15038413387

Product Key Features

Author
Gargi Bhattacharyya, Kirsten Forkert, Janna Graham, Federico Oliveri
Publication Name
How Media and Conflicts Make Migrants
Format
Hardcover
Language
English
Subject
Media Studies, Emigration & Immigration, Anthropology / Cultural & Social
Series
Manchester University Press Ser.
Publication Year
2020
Type
Textbook
Subject Area
Social Science
Number of Pages
224 Pages

Dimensions

Item Length
8.5 in
Item Height
0.7 in
Item Width
5.4 in

Additional Product Features

Intended Audience
College Audience
Reviews
'This volume explores connections between media representations, global migrants, and perceptions upheld and challenged by viewers in the UK and Italy during the 2010s. The text oscillates between chapters that unpack issues like "white amnesia" and "postcolonial innocence" among white, Western viewers, and brief "interlude" chapters that convey migrants' insights into navigating different media perspectives and experiences within their new settings. For instance, the authors note a shift from print to new media consumption that necessitates steady access to the internet and mobile technology, which flies in the face of stagnant images of migrants as "not entitled" to such technology, further limiting their access to and sharing of information. Ultimately, the authors call for building international systems to disrupt the willful "forgetting" of interconnected global histories fueling migrants' voyages, and to help them thrive in their new countries. This book could be useful for courses in political science, media studies, communications, and ethnic studies. Visual pairings might include pertinent excerpts from British and Italian newscasts from the period, along with relevant news articles and online posts, with the potential to integrate these media into a reflective "migrantification" assignment.'CHOICE, 'Overall, this book offers a new approach to the much-discussed role of international migration in Europe and its media portrayal from a critical postcolonial point of view. Its anecdotal storytelling renders it easier to read, while the formulation of clear appeals or calls to action blurs the line between activism and scholarly research.' Lilian Krüger, The International Spectator 'This volume explores connections between media representations, global migrants, and perceptions upheld and challenged by viewers in the UK and Italy during the 2010s. The text oscillates between chapters that unpack issues like "white amnesia" and "postcolonial innocence" among white, Western viewers, and brief "interlude" chapters that convey migrants' insights into navigating different media perspectives and experiences within their new settings. For instance, the authors note a shift from print to new media consumption that necessitates steady access to the internet and mobile technology, which flies in the face of stagnant images of migrants as "not entitled" to such technology, further limiting their access to and sharing of information. Ultimately, the authors call for building international systems to disrupt the willful "forgetting" of interconnected global histories fueling migrants' voyages, and to help them thrive in their new countries. This book could be useful for courses in political science, media studies, communications, and ethnic studies. Visual pairings might include pertinent excerpts from British and Italian newscasts from the period, along with relevant news articles and online posts, with the potential to integrate these media into a reflective "migrantification" assignment.' CHOICE, 'This volume explores connections between media representations, global migrants, and perceptions upheld and challenged by viewers in the UK and Italy during the 2010s. The text oscillates between chapters that unpack issues like "white amnesia" and "postcolonial innocence" among white, Western viewers, and brief "interlude" chapters that convey migrants' insights into navigating different media perspectives and experiences within their new settings. For instance, the authors note a shift from print to new media consumption that necessitates steady access to the internet and mobile technology, which flies in the face of stagnant images of migrants as "not entitled" to such technology, further limiting their access to and sharing of information. Ultimately, the authors call for building international systems to disrupt the willful "forgetting" of interconnected global histories fueling migrants' voyages, and to help them thrive in their new countries. This book could be useful for courses in political science, media studies, communications, and ethnic studies. Visual pairings might include pertinent excerpts from British and Italian newscasts from the period, along with relevant news articles and online posts, with the potential to integrate these media into a reflective "migrantification" assignment.'--C. L. Lalonde, Paul Smith's CollegeSumming Up: Recommended. Advanced undergraduates through faculty; professionals.Reprinted with permission from Choice Reviews. All rights reserved. Copyright by the American Library Association., 'This volume explores connections between media representations, global migrants, and perceptions upheld and challenged by viewers in the UK and Italy during the 2010s. The text oscillates between chapters that unpack issues like "white amnesia" and "postcolonial innocence" among white, Western viewers, and brief "interlude" chapters that convey migrants' insights into navigating different media perspectives and experiences within their new settings. For instance, the authors note a shift from print to new media consumption that necessitates steady access to the internet and mobile technology, which flies in the face of stagnant images of migrants as "not entitled" to such technology, further limiting their access to and sharing of information. Ultimately, the authors call for building international systems to disrupt the willful "forgetting" of interconnected global histories fueling migrants' voyages, and to help them thrive in their new countries. This book could be useful for courses in political science, media studies, communications, and ethnic studies. Visual pairings might include pertinent excerpts from British and Italian newscasts from the period, along with relevant news articles and online posts, with the potential to integrate these media into a reflective "migrantification" assignment.' CHOICE
Table of Content
Introduction: Conflict, media and displacement in the Twenty-First Century 1 How postcolonial innocence and white amnesia shape our understanding of the "refugee crisis" Interlude: Global war and media absences 2 War Narratives: Making sense of conflict Interlude: Songs, jokes, movies and other diversions 3 Social media, mutual aid and solidarity movements as a response to institutional breakdown Interlude: How it feels to be made a migrant: restrictions, frustration and longing 4 The processes of migrantification: how displaced people are made into migrants Interlude: Telling stories about war differently 5 Refusing the demand for sad stories Conclusion: Unsettling dominant narratives about migration in a time of flux Bibliography
Copyright Date
2020
Dewey Decimal
302.2308691
Dewey Edition
23
Illustrated
Yes

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