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Transpositions : opérateurs esthético-épistémiques en recherche artistique (Orpheus Ins-
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État :
“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE ”... En savoir plusà propos de l'état
Très bon état
Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent état. La couverture ne présente aucun dommage apparent. Pour les couvertures rigides, la jaquette (si applicable) est incluse. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. Aucune note ne figure dans les marges. La couverture intérieure peut présenter des marques d'identification mineures. Marques d'usure et déchirures mineures. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts.
- Achat immédiatTranspositions : opérateurs esthético-épistémiques en recherche artistique (Orpheus Ins
Livraison :
Gratuit Economy Shipping.
Lieu où se trouve l'objet : Harrisburg, Pennsylvania, États-Unis
Délai de livraison :
Estimé entre le ven. 27 sept. et le lun. 30 sept. à 43230
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Retour sous 30 jours. L'acheteur paie les frais de retour.
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Numéro de l'objet eBay :364648333453
Dernière mise à jour le 10 mai 2024 12:27:13 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Très bon état
- Commentaires du vendeur
- ISBN
- 9789462701410
- Book Title
- Transpositions : Aesthetico-Epistemic Operators in Artistic Research
- Book Series
- Orpheus Institute Ser.
- Publisher
- Leuven University Press
- Item Length
- 11.3 in
- Publication Year
- 2018
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Genre
- Music, Art, Philosophy
- Topic
- Criticism & Theory, Aesthetics, Instruction & Study / Theory
- Item Weight
- 48.1 Oz
- Item Width
- 7.5 in
- Number of Pages
- 300 Pages
À propos de ce produit
Product Identifiers
Publisher
Leuven University Press
ISBN-10
9462701415
ISBN-13
9789462701410
eBay Product ID (ePID)
20038741001
Product Key Features
Book Title
Transpositions : Aesthetico-Epistemic Operators in Artistic Research
Number of Pages
300 Pages
Language
English
Topic
Criticism & Theory, Aesthetics, Instruction & Study / Theory
Publication Year
2018
Illustrator
Yes
Genre
Music, Art, Philosophy
Book Series
Orpheus Institute Ser.
Format
Trade Paperback
Dimensions
Item Weight
48.1 Oz
Item Length
11.3 in
Item Width
7.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-563391
Dewey Edition
23
Dewey Decimal
111/.85
Synopsis
Research is a process that leads to new insights rupturing the existent fabric of knowledge. To prevent this process from disintegrating, its coherence must be assured. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. While it does not attempt to define the still evolving field of artistic research, through the idea of transposition this book aims to grasp a quality increasingly important to artistic practice because representational approaches have been losing traction. Taking to heart the lessons of deconstruction, new modes of epistemic relationships are being invented that include aesthetic dimensions. Working with materially concrete positions in a manner familiar to artists can ensure that knowledge does not decay into relativism. Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D'Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura Gonz lez (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Universit Paris 1/Universit Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirr (University of Music and Performing Arts Graz), Hans-J rg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts), Research is a process that leads to new insights rupturing the existent fabric of knowledge. To prevent this process from disintegrating, its coherence must be assured. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. While it does not attempt to define the still evolving field of artistic research, through the idea of transposition this book aims to grasp a quality increasingly important to artistic practice because representational approaches have been losing traction. Taking to heart the lessons of deconstruction, new modes of epistemic relationships are being invented that include aesthetic dimensions. Working with materially concrete positions in a manner familiar to artists can ensure that knowledge does not decay into relativism. Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D'Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts), Research is a process that leads to new insights rupturing the existent fabric of knowledge. To prevent this process from disintegrating, its coherence must be assured. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference that has the power to expand into the unknown. While it does not attempt to define the still evolving field of artistic research, through the idea of transposition this book aims to grasp a quality increasingly important to artistic practice because representational approaches have been losing traction. Taking to heart the lessons of deconstruction, new modes of epistemic relationships are being invented that include aesthetic dimensions. Working with materially concrete positions in a manner familiar to artists can ensure that knowledge does not decay into relativism. Contributors: Annette Arlander (University of the Arts Helsinki), Paulo de Assis (Orpheus Institute, Ghent), Rosi Braidotti (Utrecht University), Leif Dahlberg (Royal Institute of Technology Stockholm), Lucia D?Errico (Orpheus Institute, Ghent), Mika Elo (University of the Arts Helsinki), Laura González (Royal Conservatoire of Scotland), Esa Kirkkopelto (University of the Arts Helsinki), Yve Lomax (Royal College of Art, London), Cecile Malaspina (CNRS-Université Paris 1/Université Paris 7), Tor-Finn Malum Fitje (independent artist, Oslo), Dieter Mersch (Zurich University of the Arts), David Pirrò (University of Music and Performing Arts Graz), Hans-Jörg Rheinberger (Max Planck Institute for the History of Science, Berlin), Hanns Holger Rutz (University of Music and Performing Arts Graz), Michael Schwab (Orpheus Institute, Ghent/University of Applied Arts Vienna), Birk Weiberg (Zurich University of the Arts), Research is a process that leads to new insights rupturing the existent fabric of knowledge. To prevent this process from disintegrating, its coherence must be assured. Under the heading transposition, seventeen artists, musicians, and theorists explain how one thing may turn into another in a spatio-temporal play of identity and difference...
LC Classification Number
BH39
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- w***7 (624)- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéThis is a wonderful seller bought on an offer,replies to your messages.Purchased this book to read more of the history of Madison County AL where my Family traveled from Scotland and onto US soil and made their way into the rolling mountainous terrain of northern Alabama settling there in 1810 . Book was shipped fast arrived well packed ! Can Looks exactly as described and pictured ! Thank you !The Founding of Alabama: Background and Formative Period in the Great Bend and M (n°374353954430)
- s***i (42)- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéExcellent EBAY Seller! Book was exactly as described (in excellent condition), very carefully packaged and arrived to my Mailing address promptly. I have already bought several outstanding books from "Midtown Scholar Bookstore" and they consistently have excellent service, great selection, good communication, and highly recommend and will happily buy again from them…..Bravo!Card Fictions by Pit Hartling, , Very Good Book (n°355297569796)
- a***r (226)- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéAfter multiple orders, I have come to appreciate this seller's immediate confirmations (even on a Sunday; or maybe at 4:27 in the morning!), and the fast, well-packed shipping. The pricng is very fair also. Great seller!
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