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The Poetics of Noise from Dada to Punk par John Melillo (anglais) livre rigide-

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Numéro de l'objet eBay :364450998715

Dernière mise à jour le 06 mars 2024 06:12:19 Paris. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État: Neuf: Livre neuf, n'ayant jamais été lu ni utilisé, en parfait état, sans pages manquantes ni ...

ISBN-13: 9781501359910

Book Title: The Poetics of Noise from Dada to Punk

ISBN: 9781501359910

Subject Area: Literary Criticism, Music

Publication Name: Poetics of Noise from Dada to Punk

Item Length: 9 in

Publisher: Bloomsbury Publishing

Subject: General, Poetry

Publication Year: 2020

Type: Textbook

Format: Hardcover

Language: English

Item Height: 0.5 in

Author: John Melillo

Item Width: 6 in

Item Weight: 15.9 Oz

Number of Pages: 208 Pages

À propos de ce produit

Product Information

Reinterpreting the history of 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a history of noise through poetry and poetic performance. It argues that poetry--conceived as a sound art practiced by writers, lyricists, performers, producers, and other sound-writers--continuously figures and refigures noise in relation to communication, meaning, and voice. In many cases, this figuration forms in the negative, as listeners cast out or ignore noise in the name of communication or poetic voice. In other cases, however, poets actively write and perform the sound of noise, and attempt to reimagine the ways of listening that structure what counts as significant or insignificant sound. Rather than suggesting that poets simply overturn the hierarchical binary between signal and noise, Melillo listens for the ways in which they implicitly and explicitly theorize listening, mediation, and responsibility through their figurations of noise.

Product Identifiers

Publisher

Bloomsbury Publishing

ISBN-10

1501359916

ISBN-13

9781501359910

eBay Product ID (ePID)

7038386697

Product Key Features

Author

John Melillo

Publication Name

Poetics of Noise from Dada to Punk

Format

Hardcover

Language

English

Subject

General, Poetry

Publication Year

2020

Type

Textbook

Subject Area

Literary Criticism, Music

Number of Pages

208 Pages

Dimensions

Item Length

9 in

Item Height

0.5 in

Item Width

6 in

Item Weight

15.9 Oz

Additional Product Features

LCCN

2020-009107

Lc Classification Number

Pn1083.N65m45 2020

Reviews

"Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.'" -- Lesley Wheeler, Henry S. Fox Professor of English, Washington and Lee University, USA, and author of Voicing American Poetry (2008) and Poetry's Possible Worlds (2021) "In a study both wide-ranging and meticulous, John Melillo demonstrates that poetry's turn away from the communicative function does not merely embrace noise over message, but rather refigures the entire relationship between such concepts. In the process, he rearticulates the history of modern poetry and the very status of the reader; such reconfigured relationships, as he argues, are the very hallmarks of the power of noise itself. This is thus a wonderfully noisy book." -- Craig Dworkin, Professor of English, University of Utah, USA, and author of Dictionary Poetics: Toward a Radical Lexicography (2020), The book is by no means a philosophy of sound, noise or sound/noise, but rather an exegesis and hermeneutics of sound-making work (which is what Melillo considers poetry to be) and the important noise(s) thus revealed. It also contains a dose of exegesis's opposite, eisegesis, a drawing-in rather than out, of deeply subjective, if zeitgeisty, opinion from certain areas of academia ... This reviewer will think differently now of some of the sounds he and others make. The rest is/not noise., "Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.'" -- Lesley Wheeler, Henry S. Fox Professor of English, Washington and Lee University, USA, and author of Voicing American Poetry (2008) and Poetry's Possible Worlds (2021), Noise, in John Melillo's account, is a defining feature of radical modernist and postwar poetics. But not noise as entropy. This book explores noise as expressive of what's beyond mundane sense, the noise heard by Owen and Sassoon on the killing field of World War 1. Staged at the Cabaret Voltaire, with Tristan Tzara, Hugo Ball, Amiri Baraka, John Cage, Langston Hughes, Olson, Tracie Morris, Richard Hell and Susan Howe as guides, Melillo let's noise stay noisy., Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.', In a study both wide-ranging and meticulous, John Melillo demonstrates that poetry's turn away from the communicative function does not merely embrace noise over message, but rather refigures the entire relationship between such concepts. In the process, he rearticulates the history of modern poetry and the very status of the reader; such reconfigured relationships, as he argues, are the very hallmarks of the power of noise itself. This is thus a wonderfully noisy book., "The book is by no means a philosophy of sound, noise or sound/noise, but rather an exegesis and hermeneutics of sound-making work (which is what Melillo considers poetry to be) and the important noise(s) thus revealed. It also contains a dose of exegesis's opposite, eisegesis, a drawing-in rather than out, of deeply subjective, if zeitgeisty, opinion from certain areas of academia ... This reviewer will think differently now of some of the sounds he and others make. The rest is/not noise." -- Leonardo Reviews "Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.'" -- Lesley Wheeler, Henry S. Fox Professor of English, Washington and Lee University, USA, and author of Voicing American Poetry (2008) and Poetry's Possible Worlds (2021) "In a study both wide-ranging and meticulous, John Melillo demonstrates that poetry's turn away from the communicative function does not merely embrace noise over message, but rather refigures the entire relationship between such concepts. In the process, he rearticulates the history of modern poetry and the very status of the reader; such reconfigured relationships, as he argues, are the very hallmarks of the power of noise itself. This is thus a wonderfully noisy book." -- Craig Dworkin, Professor of English, University of Utah, USA, and author of Dictionary Poetics: Toward a Radical Lexicography (2020) "Noise, in John Melillo's account, is a defining feature of radical modernist and postwar poetics. But not noise as entropy. This book explores noise as expressive of what's beyond mundane sense, the noise heard by Owen and Sassoon on the killing field of World War 1. Staged at the Cabaret Voltaire, with Tristan Tzara, Hugo Ball, Amiri Baraka, John Cage, Langston Hughes, Olson, Tracie Morris, Richard Hell and Susan Howe as guides, Melillo let's noise stay noisy." -- Charles Bernstein, author of Near/Miss (2018) and Pitch of Poetry (2016) and recipient of 2019 Bollingen Award for lifetime achievement in poetry, "Cueing up a major new track within sound studies, John Melillo declares that noise is a crucial figure in 20th-century poetry and music--as well as an interruption to figuration. Through resonant soundings of war poetry, Dada, modernism's thunder, and later experiments, this coup of close-listening provides ear-witness to the period's disturbing 'undersound.'" -- Lesley Wheeler, Henry S. Fox Professor of English, Washington and Lee University, USA, and author of Voicing American Poetry (2008) and Poetry's Possible Worlds (2021) "In a study both wide-ranging and meticulous, John Melillo demonstrates that poetry's turn away from the communicative function does not merely embrace noise over message, but rather refigures the entire relationship between such concepts. In the process, he rearticulates the history of modern poetry and the very status of the reader; such reconfigured relationships, as he argues, are the very hallmarks of the power of noise itself. This is thus a wonderfully noisy book." -- Craig Dworkin, Professor of English, University of Utah, USA, and author of Dictionary Poetics: Toward a Radical Lexicography (2020) "Noise, in John Melillo's account, is a defining feature of radical modernist and postwar poetics. But not noise as entropy. This book explores noise as expressive of what's beyond mundane sense, the noise heard by Owen and Sassoon on the killing field of World War 1. Staged at the Cabaret Voltaire, with Tristan Tzara, Hugo Ball, Amiri Baraka, John Cage, Langston Hughes, Olson, Tracie Morris, Richard Hell and Susan Howe as guides, Melillo let's noise stay noisy." -- Charles Bernstein, author of Near/Miss (2018) and Pitch of Poetry (2016) and recipient of 2019 Bollingen Award for lifetime achievement in poetry

Table of Content

Introduction 1. (Re)Versing Noise: Ear-Witness, Metrical Form, and the Western Front 2. Dada Bruitism and the Body3. The Persistence of "That Da-Da Strain": The Modernist Travels of "Da"4. Projective Versification, Sound Recording, and Technologizing the Body5. Noise and the City: Writing and Punk Performance, 1965-19806. Noise Music, Noise History: Articulations of Sound Forms in Time Notes Bibliography

Target Audience

College Audience

Dewey Decimal

809.1

Dewey Edition

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Numéro de l'objet eBay :364450998715

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