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Ligne de Keith Haring : course et performance du désir, Montez, Ricardo, très G-

Texte d'origine
Keith Haring's Line: Race and the Performance of Desire, Montez, Ricardo, Very G
État :
Très bon état
“HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder ”... En savoir plusà propos de l'état
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51,32 USD
Environ48,04 EUR
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Lieu où se trouve l'objet : Harrisburg, Pennsylvania, États-Unis
Délai de livraison :
Estimé entre le ven. 28 juin et le lun. 1 juil. à 43230
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Numéro de l'objet eBay :355708529797

Caractéristiques de l'objet

État
Très bon état
Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent état. La couverture ne présente aucun dommage apparent. Pour les couvertures rigides, la jaquette (si applicable) est incluse. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. Aucune note ne figure dans les marges. La couverture intérieure peut présenter des marques d'identification mineures. Marques d'usure et déchirures mineures. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts. Afficher toutes les définitions des étatsla page s'ouvre dans une nouvelle fenêtre ou un nouvel onglet
Commentaires du vendeur
“HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder ...
ISBN
9781478008606
Subject Area
Art, Social Science
Publication Name
Keith Haring's Line : Race and the Performance of Desire
Publisher
Duke University Press
Item Length
9 in
Subject
History / Contemporary (1945-), Individual Artists / Monographs, General, Lgbt Studies / Gay Studies
Publication Year
2020
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.6 in
Author
Ricardo Montez
Item Weight
14.4 Oz
Item Width
6 in
Number of Pages
168 Pages

À propos de ce produit

Product Identifiers

Publisher
Duke University Press
ISBN-10
1478008601
ISBN-13
9781478008606
eBay Product ID (ePID)
26038711379

Product Key Features

Number of Pages
168 Pages
Language
English
Publication Name
Keith Haring's Line : Race and the Performance of Desire
Subject
History / Contemporary (1945-), Individual Artists / Monographs, General, Lgbt Studies / Gay Studies
Publication Year
2020
Type
Textbook
Subject Area
Art, Social Science
Author
Ricardo Montez
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
14.4 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2019-050672
Reviews
Keith Haring's Line is a brilliant, engaging, and necessary book. Centering the story of Haring's line on the queer people of color with whom Haring collaborated, Ricardo Montez gifts the reader with an intensely productive vocabulary for naming and exploring the relational dynamics that define the practices of a number of artists working across incommensurate forms of difference. Montez's writing does justice to so many neglected figures (like Juan DuBose and the graffiti artist LA II) and importantly situates Haring's practice in relationship to performance-centered scenes of the 1970s and 1980s. This is not only the definitive take on Haring, it is the book on Haring's world., A well-written and carefully elaborated study of Keith Haring and the cultural politics of race and desire that spans beyond Haring. Ricardo Montez's careful reading of different 'scenes' of interracial desire allows the reader to get close to the nuances of the power dynamics played out within them. Original and compelling., Keith Haring's Line is neither a biography nor a general assessment of Haring's work as an artist. Rather, it is a queer musing upon the intersections of sex and race in Haring's work. . . . Montez writes with authority about photography, art, and queer theory, but the passion of this book lies in its interrogation of sex and race., Keith Haring's Line exudes political and aesthetic friction, impressively threading many entry points and tactics. Following in the legacy of his late mentor José Esteban Muñoz (to whom the book is dedicated), Montez brings deliberate specificity to the ubiquitous figure of Haring. By exposing and avoiding the trappings of linearity, singularity, and script, Montez is instead able to present vulnerability, fluidity, and flesh., Montez's book is a welcome addition to a constellation of projects--some foundational, others newer--that pay fuller, much-needed attention to the exchanges between race and queer desire in New York City's 'Downtown scene' of the early 1980s.... Like Haring's line, Montez's prose is crisp and decisive. In this final chapter and throughout his readings, his beautiful writing invites readers to rethink our scholarly machines, to reimagine what critical writing and our theory-landed prose can do. Keith Haring's Line places its author's affective investments on full display., Keith Haring's Line is a brilliant, engaging, and necessary book. Centering the story of Haring's line on the queer people of color with whom Haring collaborated, Ricardo Montez gifts the reader with an intensely productive vocabulary for naming and exploring the relational dynamics that define the practices of a number of artists working across incommensurate forms of difference. Montez's writing does justice to so many neglected figures (like Juan Dubose and graffiti artist LA II) and importantly situates Haring's practice in relationship to performance-centered scenes of the 1970s and 1980s. This is not only the definitive take on Haring, it is the book on Haring's world., Keith Haring's Line is a brilliant, engaging, and necessary book. Centering the story of Haring's line on the queer people of color with whom Haring collaborated, Ricardo Montez gifts the reader with an intensely productive vocabulary for naming and exploring the relational dynamics that define the practices of a number of artists working across incommensurate forms of difference. Montez's writing does justice to so many neglected figures (like Juan Dubose and the graffiti artist LA II) and importantly situates Haring's practice in relationship to performance-centered scenes of the 1970s and 1980s. This is not only the definitive take on Haring, it is the book on Haring's world., Keith Haring's Line is a brilliant, engaging, and necessary book. Centering the story of Haring's line on the queer people of color with whom Haring collaborated, Ricardo Montez gifts the reader with an intensely productive vocabulary for naming and exploring the relational dynamics that define the practices of a number of artists working across incommensurate forms of difference. Monte's writing does justice to so many neglected figures (like Juan DuBose and the graffiti artist LA2) and importantly situates Haring's practice in relationship to performance-centered scenes of the 1970s and 1980s. This is not only the definitive take on Haring, it is the book on Haring's world.
Dewey Edition
23
CLASSIFICATION_METADATA
{"IsNonfiction":["Yes"],"IsOther":["No"],"IsAdult":["No"],"MuzeFormatDesc":["Hardcover"],"IsChildren":["No"],"Genre":["SOCIAL SCIENCE","ART"],"Topic":["General","LGBT Studies / Gay Studies","Individual Artists / Monographs","History / Contemporary (1945-)"],"IsTextBook":["Yes"],"IsFiction":["No"]}
Illustrated
Yes
Dewey Decimal
700.92
Table Of Content
List of Illustrations ix Acknowledgments xi Introduction. The Call of the Impossible Figure 1 1. Desire in Transit: Writing It Out in New York City 31 2. "Trade' Marks: LA II and a Queer Economy of Exchange 61 3. Theory Made Flesh?: Keeping Up with Grace Jones 83 4. Drips, Rust, and Residue: Forms of Longing 109 Notes 135 Bibliography 141 Index 145
Synopsis
Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring's artistic practice, engaging with Haring's messy relationships to race-making and racial imaginaries., In the thirty years since his death, Keith Haring--a central presence on the New York downtown scene of the 1980s--has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring's artistry, Ricardo Montez traces the drawn and painted line that was at the center of Haring's artistic practice and with which the artist marked canvases, subway walls, and even human flesh. Keith Haring's Line unites performance studies, critical race studies, and queer theory in an exploration of cross-racial desire in Haring's life and art. Examining Haring's engagements with artists such as dancer and choreographer Bill T. Jones, graffiti artist LA II, and iconic superstar Grace Jones, Montez confronts Haring's messy relationships to race-making and racial imaginaries, highlighting scenes of complicity in order to trouble both the positive connotations of inter-racial artistic collaboration and the limited framework of appropriation.
LC Classification Number
N6537.H348M66 2020
ebay_catalog_id
4
Copyright Date
2020

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