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Figurines Hip : A Literary History of the Democratic Party (Post45), Szalay, Michae-

Texte d'origine
Hip Figures: A Literary History of the Democratic Party (Post45), Szalay, Michae
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“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE ”... En savoir plusà propos de l'état
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Lieu où se trouve l'objet : Harrisburg, Pennsylvania, États-Unis
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Numéro de l'objet eBay :354352378933
Dernière mise à jour le 10 mai 2024 11:48:44 Paris. Afficher toutes les modificationsAfficher toutes les modifications

Caractéristiques de l'objet

État
Très bon état
Livre qui ne semble pas neuf, ayant déjà été lu, mais qui est toujours en excellent état. La couverture ne présente aucun dommage apparent. Pour les couvertures rigides, la jaquette (si applicable) est incluse. Aucune page n'est manquante, endommagée, pliée ni déchirée. Aucun texte n'est souligné ni surligné. Aucune note ne figure dans les marges. La couverture intérieure peut présenter des marques d'identification mineures. Marques d'usure et déchirures mineures. Consulter l'annonce du vendeur pour avoir plus de détails et voir la description des défauts. Afficher toutes les définitions des étatsla page s'ouvre dans une nouvelle fenêtre ou un nouvel onglet
Commentaires du vendeur
“Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...
ISBN
9780804776349
Subject Area
Literary Criticism, Political Science
Publication Name
Hip Figures : a Literary History of the Democratic Party
Publisher
Stanford University Press
Item Length
9.3 in
Subject
American / African American, American / General, Political Process / Political Parties, Subjects & Themes / Politics
Publication Year
2012
Series
Post*45 Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
1 in
Author
Michael Szalay
Item Weight
19.2 Oz
Item Width
6.3 in
Number of Pages
336 Pages

À propos de ce produit

Product Information

Hip Figures dramatically alters our understanding of the postwar American novel by showing how it mobilized fantasies of black style on behalf of the Democratic Party. Fascinated by jazz, rhythm and blues, and rock and roll, novelists such as Norman Mailer, Ralph Ellison, John Updike, and Joan Didion turned to hip culture to negotiate the voter realignments then reshaping national politics. Figuratively transporting white professionals and managers into the skins of African Americans, these novelists and many others insisted on their own importance to the ambitions of a party dependent on coalition-building but not fully committed to integration. Arbiters of hip for readers who weren't, they effectively branded and marketed the liberalism of their moment--and ours.

Product Identifiers

Publisher
Stanford University Press
ISBN-10
0804776342
ISBN-13
9780804776349
eBay Product ID (ePID)
111540651

Product Key Features

Number of Pages
336 Pages
Language
English
Publication Name
Hip Figures : a Literary History of the Democratic Party
Publication Year
2012
Subject
American / African American, American / General, Political Process / Political Parties, Subjects & Themes / Politics
Type
Textbook
Subject Area
Literary Criticism, Political Science
Author
Michael Szalay
Series
Post*45 Ser.
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
19.2 Oz
Item Length
9.3 in
Item Width
6.3 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2012-009458
Dewey Edition
23
Reviews
"This impressive examination of racial ventriloquism and shape shifting in the postwar U.S. novel explains—through a series of often brilliant readings—how the 'hip fetish' mediated contradictions between capital and labor. Szalay has produced a compelling and creative theoretical model for examining base-superstructure relations, one that has ramifications for projects beyond the one undertaken here. This is a provocative and persuasive project, to which attention must be paid."—Barbara Foley, Rutgers University, "[F]ascinating . . . the specters of hip will continue to haunt our politics, and we owe Szalay a debt for laying them out in such critical detail here."-Evan Kindley, Bookforum, "Michael Szalay holds critical office where politics and literature merge. . . . His engrossing book, Hip Figures: A Literary History of the Democratic Party sets out to correlate post-war American fiction with concrete political consequences."-Michael LaPointe, Times Literary Supplement, "Michael Szalay holds critical office where politics and literature merge. . . . His engrossing book, Hip Figures: A Literary History of the Democratic Party sets out to correlate post-war American fiction with concrete political consequences."--Michael LaPointe, Times Literary Supplement, "Michael Szalay holds critical office where politics and literature merge. . . . His engrossing book, Hip Figures: A Literary History of the Democratic Party sets out to correlate post-war American fiction with concrete political consequences."—Michael LaPointe, Times Literary Supplement, "[F]ascinating . . . the specters of hip will continue to haunt our politics, and we owe Szalay a debt for laying them out in such critical detail here."—Evan Kindley, Bookforum, "This bold and ingenious book gives us the hipster's racial background, but also a crucial glimpse into how cultural politics matter to politics in the weightiest and most straightforward sense."—Bruce Robbins, Columbia University, "A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety--and sometimes even downright praiseworthy--nevertheless depends on some awfully strange brews of fantasy and projection."--Len Gutkin, Democracy: A Journal of Ideas, "This bold and ingenious book gives us the hipster's racial background, but also a crucial glimpse into how cultural politics matter to politics in the weightiest and most straightforward sense."-Bruce Robbins, Columbia University, " Hip Figures provides a stunning evaluation of the connection between popular liberal authors of the post-war period and the import of the 'hipster' aesthetic to the re-branding of the Democratic Party's ideological platform leading up the presidential election of John F. Kennedy and into the late twentieth century . . . Grounding each chapter in nuanced and moving close readings of various novels, Szalay traces the connections between novelistic liberalism and the Democratic politicians and rhetoric operating around the time of the novels' publication . . . In sum, Hip Figures is a powerful work of literary criticism and history that calls readers to evaluate the ways in which fictional texts of the post-war period reflect and inform the Democratic Party's stylish rhetoric of interracial coalition that ultimately supports the aims of a professional managerial class."--Richard Langer, The Year's Work in English Studies, "A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety--and sometimes even downright praiseworthy--nevertheless depends on some awfully strange brews of fantasy and projection."--Len Gutkin, Democracy: A Journal of Ideas "This bold and ingenious book gives us the hipster's racial background, but also a crucial glimpse into how cultural politics matter to politics in the weightiest and most straightforward sense."--Bruce Robbins, Columbia University "This impressive examination of racial ventriloquism and shape shifting in the postwar U.S. novel explains--through a series of often brilliant readings--how the 'hip fetish' mediated contradictions between capital and labor. Szalay has produced a compelling and creative theoretical model for examining base-superstructure relations, one that has ramifications for projects beyond the one undertaken here. This is a provocative and persuasive project, to which attention must be paid."--Barbara Foley, Rutgers University "Michael Szalay's tandem tale of the post-World War II U.S. novel and Democratic Party radically illuminates--indeed rewrites--the story of both. This is literary history at its finest: densely researched, methodologically allusive, hip to the pith and nerve, and sometimes slag, of writers taking the measure of the republic."--Eric Lott, University of Virginia, "A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety-and sometimes even downright praiseworthy-nevertheless depends on some awfully strange brews of fantasy and projection."-Len Gutkin, Democracy: A Journal of Ideas, A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety'and sometimes even downright praiseworthy'nevertheless depends on some awfully strange brews of fantasy and projection., "Michael Szalay's tandem tale of the post-World War II U.S. novel and Democratic Party radically illuminates—indeed rewrites—the story of both. This is literary history at its finest: densely researched, methodologically allusive, hip to the pith and nerve, and sometimes slag, of writers taking the measure of the republic."—Eric Lott, University of Virginia, "[F]ascinating . . . the specters of hip will continue to haunt our politics, and we owe Szalay a debt for laying them out in such critical detail here."--Evan Kindley, Bookforum, "A persuasively argued treatise—will appeal to students of literature and liberal politics."— Kirkus Reviews, "A virtue of Szalay's study is that it allows us to think about Democrats and symbolic blackness through a more useful lens than that of either race-baiting Republican demagoguery or self-congratulatory Democratic triumphalism . . . Szalay helps demystify modern progressivism's own complex racial subconscious, which, while less toxic than the right-wing variety—and sometimes even downright praiseworthy—nevertheless depends on some awfully strange brews of fantasy and projection."—Len Gutkin, Democracy: A Journal of Ideas, Michael Szalay's tandem tale of the post-World War II U.S. novel and Democratic Party radically illuminates'indeed rewrites'the story of both. This is literary history at its finest: densely researched, methodologically allusive, hip to the pith and nerve, and sometimes slag, of writers taking the measure of the republic., "A persuasively argued treatise-will appeal to students of literature and liberal politics."- Kirkus Reviews, "A persuasively argued treatise--will appeal to students of literature and liberal politics."-- Kirkus Reviews, This impressive examination of racial ventriloquism and shape shifting in the postwar U.S. novel explains'through a series of often brilliant readings'how the 'hip fetish' mediated contradictions between capital and labor. Szalay has produced a compelling and creative theoretical model for examining base-superstructure relations, one that has ramifications for projects beyond the one undertaken here. This is a provocative and persuasive project, to which attention must be paid.
Dewey Decimal
810.9/358
Lc Classification Number
Ps374
Copyright Date
2012

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