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Little Hill par Warren neuf 9780872868052 livraison rapide gratuite livre de poche.+-
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Caractéristiques de l'objet
- État
- PublishedOn
- 2020-04-09
- Title
- Little Hill
- Artist
- Not Specified
- Type
- Not Specified
- Publication Name
- Not Specified
- ISBN
- 9780872868052
- Book Title
- Little Hill
- Publisher
- City Lights
- Item Length
- 7 in
- Publication Year
- 2020
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4 in
- Genre
- Poetry
- Topic
- Women Authors
- Item Weight
- 4.2 Oz
- Item Width
- 5 in
- Number of Pages
- 120 Pages
À propos de ce produit
Product Identifiers
Publisher
City Lights
ISBN-10
0872868052
ISBN-13
9780872868052
eBay Product ID (ePID)
19038900975
Product Key Features
Book Title
Little Hill
Number of Pages
120 Pages
Language
English
Publication Year
2020
Topic
Women Authors
Genre
Poetry
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
4.2 Oz
Item Length
7 in
Item Width
5 in
Additional Product Features
Intended Audience
Trade
LCCN
2019-056680
Reviews
Praise for Little Hill: "The poems of Alli's newest book, Little Hill, are wild, abundant with the natural beauty of a language that attends to her images with fierce imperative and effecting a nurturing cool ... There is a naturalism to the poems of Little Hill, a departure from the hyper-mobile, shorter poems of her previous books, unfolding an ecology of ideas yielded from Alli's wry observations and expansive thinking. ... These poems, especially now, return me to that environment beyond the confines of my immediate everyday, mindful of my connection to the language and life greater than my own but no less fragile."--Ted Dodson, The Believer "In Alli Warren's book, a linguistic skepticism--or call it a healthy sense of the absurd--is often present towards everyday 'practical' uses of language ... our mercantile language gets into our labor body on 'office time' even when granted an ostensibly autonomous sliver of 'free time--much of which is 'spent' trying to shake off the soul-draining dynamics of the workplace in tender measures of nature reverence and hope, only to be sucked back in by an atrocious manifestation of injustice. Yet, it is partially because she does not underestimate a world in which 'everything organized to deliver force on a routine basis' that she is able to suggest alternatives to it. ... I love this little pocket-book book."--Chris Stroffolino, Entropy "In Little Hill Alli Warren's principle method is articulation of exquisite units of speech (thought) that, maintaining separation, are capable of connection. The line might be a sentence or a part of one ... I mean a delicious sense of grammatical distinctness is maintained. The poet, also a lone unit, seems to exist less in relation than as that lone one, condemning this hard world with its villain work and elusive hierarchies. The language is precise, lush, unexpected and often thrilling. Articulation would seem to be the true other, or maybe nature is. The book is gift more than condemnation, though as the latter it's unsparing. Still, it's a gift."--Alice Notley, author of For the Ride and Benediction "The number of gasps and everything else gets lost in the concentration of Little Hill. Alli Warren keeps company with those rare poets whose every new book is their best. 'This is an old machine with a pulley / It makes music work,' Warren writes, reworking the ancient technology of poetry to a shine! Dear Poet, thank you for the wow WOW wowing!"--CAConrad, author of While Standing in Line for Death "Reading Alli Warren's Little Hill, I find it incredible that amidst the relentless circulation of capital and commodities--and despite attempts to make all life yield to the logics of extraction, work, accumulation, and the entrepreneurial self--a remainder is created, that of poetry. Little Hill embodies a poetics of radical uncertainty, one that attends to its horrific condition of possibility and is produced through the unmooring catastrophes that define our present moment: the destruction of the earth, mass imprisonment, late-capitalism--the litany does not end there. 'I saw the death of the earth in a child's toy,' she writes. Everywhere the speaker looks there is 'congealed shit, sometimes on sale.' Yet yearning, even as it is raised tentatively, is not crushed. In and against it all, a question is raised--the question of what it means to love in times of terror."--Jackie Wang, author of Carceral Capitalism, Praise for Little Hill: "The poems of Alli's newest book, Little Hill, are wild, abundant with the natural beauty of a language that attends to her images with fierce imperative and effecting a nurturing cool ... There is a naturalism to the poems of Little Hill, a departure from the hyper-mobile, shorter poems of her previous books, unfolding an ecology of ideas yielded from Alli's wry observations and expansive thinking. ... These poems, especially now, return me to that environment beyond the confines of my immediate everyday, mindful of my connection to the language and life greater than my own but no less fragile."--Ted Dodson, The Believer Praise for I Love It Though: "[Warren] has begun writing longer poems, putting her stamp on a running notational mode whose other practitioners include Stephanie Young, Anselm Berrigan, and Jacqueline Waters. I think you can hear the durational projects, the self-conscious day-scores, of Bernadette Mayer and of Lewis Warsh farther back in the tradition."--Brian Blanchfield, pen.org "These poems invite the reader into an uncanny immersion within the quotidian--akin to tasting the sharpness of sky color or watching song penetrate office walls. Taken together, their power rests not in the visionary aim of Rimbaud's "derangement of the senses," but in the willful blurring of the material limits of language--a rich verbal synesthesia that suggests a collective politics of bodies: muscle, blood and bone."--Jamie Townsend, Boston Review "Warren provides us with poetry that proves that the smallest interactions with the ordinary world can bring a whisper of hope to those who simply want to adore Earth's extraordinary offerings."--Tay Marie Lorenzo, Fields Magazine "Warren finds sublimity in strands of affect and experience that cling to the ultimate unanswerable."--Small Press Distribution "In I Love It Though, growing authority and growing bewilderment appear to be out on a date, perhaps married, "the bottom / of the surface of the sound" never not in effect. Propelled by closely parsed internal commotion, the book is a great follow-up to Here Come the Warm Jets, itself a great follow-up to the earlier books that rightly put Alli Warren on the map as a poet to watch, be reckoned with, read and reread."--Nathaniel Mackey Where were you when the very bird Alli Warren winged in upon opened its beak & began to speak? I was in Queens. My jaw dropped. Actually it was Alli ventriloquizing the bird, right there on my windowsill, with the pigeons in the airshaft. As I greedily thumb through the pages, honey seeps through the cracks, 'one gape follows the next.'"--Julian Talamantez Brolaski The title of Alli Warren's rich and various collection of new poems--I Love It Though--should alert readers to one of its prevailing moods, that of a skeptic's affirmation. Being that of a skeptic, the affirmation comes with reservations. Alli Warren knows there are limits to the possibilities of any given day. She writes from the experiences of attuned observations, surveying the landscape with a hesitant but not unwilling participant's attention to interplays of detail. She tracks ridge and crevice, inclination and fold; they belong to the topography of social landscapes and the bodies in them and also to the structures of her articulated thoughts. Days take place, abounding with forms. And thus it is that, with respect to affirmation, these poems begin with reservations. But they do not end there. If skeptical affirmation is one of this book's moods, love is another. It is shaped out of the quicknesses of Warren's attention, guiding her embrace of the specific given good and her grief over all that's malevolent. This is a powerful and beautiful book, and the poems that comprise it should be read over and over again."--Lyn Hejinian
Synopsis
FINALIST - CALIFORNIA BOOK AWARD FOR POETRY Award-winning poet explores new formal terrain in seven long poems against the violence of the present political moment. The third full-length collection from Bay Area poet Alli Warren, Little Hill comprises seven long poems written with propulsive prosody in a daybook fashion, examining our present, politically charged moment. These poems are at once energetic and contemplative, intimate and direct, as Warren focuses her attention on capitalism, gender, love, inequality, and resistance. Despite the dystopian now, Warren finds promise in the smallest human instances of tenderness, ecological connection, and political solidarity. Little Hill is about learning to live and love in the 21st century while not shying away from all there is to struggle against. Praise for Little Hill: "In Little Hill Alli Warren's principle method is articulation of exquisite units of speech (thought) that, maintaining separation, are capable of connection. The line might be a sentence or a part of one ... I mean a delicious sense of grammatical distinctness is maintained. The poet, also a lone unit, seems to exist less in relation than as that lone one, condemning this hard world with its villain work and elusive hierarchies. The language is precise, lush, unexpected and often thrilling. Articulation would seem to be the true other, or maybe nature is. The book is gift more than condemnation, though as the latter it's unsparing. Still, it's a gift."--Alice Notley, author of For the Ride and Benediction "The number of gasps and everything else gets lost in the concentration of Little Hill. Alli Warren keeps company with those rare poets whose every new book is their best. 'This is an old machine with a pulley / It makes music work,' Warren writes, reworking the ancient technology of poetry to a shine! Dear Poet, thank you for the wow WOW wowing!"--CAConrad, author of While Standing in Line for Death "Reading Alli Warren's Little Hill, I find it incredible that amidst the relentless circulation of capital and commodities--and despite attempts to make all life yield to the logics of extraction, work, accumulation, and the entrepreneurial self--a remainder is created, that of poetry. Little Hill embodies a poetics of radical uncertainty, one that attends to its horrific condition of possibility and is produced through the unmooring catastrophes that define our present moment: the destruction of the earth, mass imprisonment, late-capitalism--the litany does not end there. 'I saw the death of the earth in a child's toy,' she writes. Everywhere the speaker looks there is 'congealed shit, sometimes on sale.' Yet yearning, even as it is raised tentatively, is not crushed. In and against it all, a question is raised--the question of what it means to love in times of terror."--Jackie Wang, author of Carceral Capitalism, Award-winning poet explores new formal terrain in seven long poems against the violence of the present political moment."[Warren] has begun writing longer poems, putting her stamp on a running notational mode whose other practitioners include Stephanie Young, Anselm Berrigan, and Jacqueline Waters. I think you can hear the durational projects, the self-conscious day-scores, of Bernadette Mayer and of Lewis Warsh farther back in the tradition."-Brian Blanchfield, pen.orgThe third full-length collection from Bay Area poet Alli Warren, Little Hill comprises seven long poems written with propulsive prosody in a daybook fashion, examining our present, politically charged moment. These poems are at once energetic and contemplative, intimate and direct, as Warren focuses her attention on capitalism, gender, love, inequality, and resistance. Despite the dystopian now, Warren finds promise in the smallest human instances of tenderness, ecological connection, and political solidarity. Little Hill is about learning to live and love in the 21st century while not shying away from all there is to struggle against.Praise for Little Hill:"In Little Hill Alli Warren's principle method is articulation of exquisite units of speech (thought) that, maintaining separation, are capable of connection. The line might be a sentence or a part of one ... I mean a delicious sense of grammatical distinctness is maintained. The poet, also a lone unit, seems to exist less in relation than as that lone one, condemning this hard world with its villain work and elusive hierarchies. The language is precise, lush, unexpected and often thrilling. Articulation would seem to be the true other, or maybe nature is. The book is gift more than condemnation, though as the latter it's unsparing. Still, it's a gift."-Alice Notley, author of For the Ride and Benediction"The number of gasps and everything else gets lost in the concentration of Little Hill. Alli Warren keeps company with those rare poets whose every new book is their best. 'This is an old machine with a pulley / It makes music work,' Warren writes, reworking the ancient technology of poetry to a shine! Dear Poet, thank you for the wow WOW wowing!"-CAConrad, author of While Standing in Line for Death, Award-winning poet explores new formal terrain in seven long poems against the violence of the present political moment. " Warren] has begun writing longer poems, putting her stamp on a running notational mode whose other practitioners include Stephanie Young, Anselm Berrigan, and Jacqueline Waters. I think you can hear the durational projects, the self-conscious day-scores, of Bernadette Mayer and of Lewis Warsh farther back in the tradition."--Brian Blanchfield, pen.org The third full-length collection from Bay Area poet Alli Warren, Little Hill comprises seven long poems written with propulsive prosody in a daybook fashion, examining our present, politically charged moment. These poems are at once energetic and contemplative, intimate and direct, as Warren focuses her attention on capitalism, gender, love, inequality, and resistance. Despite the dystopian now, Warren finds promise in the smallest human instances of tenderness, ecological connection, and political solidarity. Little Hill is about learning to live and love in the 21st century while not shying away from all there is to struggle against. Praise for Little Hill "In Little Hill Alli Warren's principle method is articulation of exquisite units of speech (thought) that, maintaining separation, are capable of connection. The line might be a sentence or a part of one ... I mean a delicious sense of grammatical distinctness is maintained. The poet, also a lone unit, seems to exist less in relation than as that lone one, condemning this hard world with its villain work and elusive hierarchies. The language is precise, lush, unexpected and often thrilling. Articulation would seem to be the true other, or maybe nature is. The book is gift more than condemnation, though as the latter it's unsparing. Still, it's a gift."--Alice Notley, author of For the Ride and Benediction "The number of gasps and everything else gets lost in the concentration of Little Hill . Alli Warren keeps company with those rare poets whose every new book is their best. 'This is an old machine with a pulley / It makes music work, ' Warren writes, reworking the ancient technology of poetry to a shine Dear Poet, thank you for the wow WOW wowing "--CAConrad, author of While Standing in Line for Death "Reading Alli Warren's Little Hill , I find it incredible that amidst the relentless circulation of capital and commodities--and despite attempts to make all life yield to the logics of extraction, work, accumulation, and the entrepreneurial self--a remainder is created, that of poetry. Little Hill embodies a poetics of radical uncertainty, one that attends to its horrific condition of possibility and is produced through the unmooring catastrophes that define our present moment: the destruction of the earth, mass imprisonment, late-capitalism--the litany does not end there. 'I saw the death of the earth in a child's toy, ' she writes. Everywhere the speaker looks there is 'congealed shit, sometimes on sale.' Yet yearning, even as it is raised tentatively, is not crushed. In and against it all, a question is raised--the question of what it means to love in times of terror."--Jackie Wang, author of Carceral Capitalism, Award-winning poet explores new formal terrain in seven long poems against the violence of the present political moment.
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PS3623.A86438L58
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