Table of Content
Contents: Introduction: re-imagining Robert Greene, Kirk Melnikoff and Edward Gieskes; Robert Greene and the theatrical vocabulary of the early 1590s, Alan C. Dessen; 'That I will see, lead and ile follow thee': Robert Greene and the authority of performance, Kirk Melnikoff; Staging professionalism in Greene's James IV, Ed Gieskes; From Homo Academicus to Poeta Publicus: celebrity and transversal knowledge in Robert Greene's Friar Bacon and Friar Bungay (c1589), Bryan Reynolds and Henry S. Turner; Robert Greene, 'author of playes', Ronald A. Tumelson II; Forming Greene: theorizing the early modern author in the Groatsworth of Wit, Steve Mentz; A looking glass for readers: cheap print and the senses of repentance, Lori Humphrey Newcombe; Robert Greene and the uses of time, Robert W. Maslen; Transplanting lillies: Greene, tyrants and tragical comedies, Katharine Wilson; Recent studies in Robert Greene (1989-2006), Kirk Melnikoff and Edward Gieskes; Appendices; Index.
