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Rhodes Lou - Theyesandeye [CD]
28,21 AUD
Environ17,36 EUR
État :
Neuf
Objet n'ayant jamais été ouvert, ou dont l'emballage comporte toujours le sceau de fermeture intact du fabricant (si applicable). L'objet comporte toujours le film plastique d'origine (si applicable). Consulter l'annonce du vendeur pour avoir plus de détails.
3 disponibles
Livraison :
Aucune livraison vers : États-Unis.
Lieu où se trouve l'objet : Banbury, Royaume-Uni
Délai de livraison :
Varie
Retours :
Retour sous 30 jours. L'acheteur paie les frais de retour.
Paiements :
Achetez en toute confiance
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Numéro de l'objet eBay :275478315432
Dernière mise à jour le 17 sept. 2024 14:04:56 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- UPC
- 5060463411824
- Artist
- Lou Rhodes
- Format
- CD
- Release Year
- 2016
- Record Label
- Nude Records (USA)
- Release Title
- Theyesandeye [Slipcase] *
- Genre
- Rock
- Run Time
- 34 Mins 52 Seconds
À propos de ce produit
Product Identifiers
Record Label
Nude Records (USA)
UPC
5060463411824
eBay Product ID (ePID)
17050189975
Product Key Features
Format
CD
Release Year
2016
Genre
Rock
Run Time
34 Mins 52 Seconds
Artist
Lou Rhodes
Release Title
Theyesandeye [Slipcase] *
Additional Product Features
Distribution
Red Essential
Number of Discs
1
Country/Region of Manufacture
USA
Reviews
Mojo (Publisher) (p.92) - 3 stars out of 5 -- "While Rhodes's voice remains recognisably smoky and cracked, the album takes the artist to new territory."
Engineer
Phil Parsons
Additional information
Personnel: Lou Rhodes (vocals, acoustic guitar, drums, tambourine, bells, background vocals); Ian Kellett (electric guitar); Simon Byrt (nylon-string guitar, piano, synthesizer, glockenspiel); Tom Moth (harp); Antonia Pagulatos, Oli Langford (violin); Natalie Holt (viola); Danny Keane (cello); Jon Thorne (double bass); Nikolaj Bjerre (drums, percussion). Recording information: The Church Studios, Crouch End, London; The Distillery Studios, Bath. Photographer: Laura Williams. On her three previous solo records, Lou Rhodes steeped herself in sparse, mostly acoustic arrangements that reflected the influence of the Brit folk scene of the late '60s. Theyesandeye was produced by Simon Byrt. These ten originals (and an innovative cover) bridge folk sounds from her native England and the Laurel Canyon singer/songwriter era and her work with Andy Barlow in Lamb. Her producer's well-documented analog reverb-and-psychedelia fetishism proves a real plus here. He imbues Rhodes' lithe, economical melodies with an expansive sense of space and dimension and canny yet simple orchestrations. He frames these guitar-based tunes in cellos, harps, hand percussion, pianos, analog synths, and earthy drums. His warm approach to capturing the physicality of the recording studio presents her thin reedy voice in settings that offer balance and sometimes something approaching an airy grandeur. Opener "All the Birds" juxtaposes her vocal with fingerpicked acoustic guitars, a wordless backing chorus, two-note bassline, and organic percussion. In "Sea Organ," strummed guitars, sweeping harp, shakers, and layered backing vocals blissfully engage her singing as it celebrates nature worship. A piano and rolling military snare introduce "Them," with Rhodes' voice way out front. Strings and backing vocals add heft to a melody that owes a reverent nod to Judee Sill. The lone cover is the xx's "Angels." The original, though lovely, is spare, seemingly leaving scant room for reimagination. But by simply joining a skeletal fingerpicked acoustic guitar to cavernous reverb, an ethereal harp, gently sweeping strings, and synth, the tenderness and depth of the protagonist's romantic commitment are reaffirmed with emotional weight and spiritual heft. "Circle Song" is more directly psychedelic. Byrt's reverb boxes are put to excellent use added to his keyboards, electric guitars, snare, and a behind-the-beat staggered backing vocal chorus. Rhodes comes close to swooping in her ghostly delivery. "Full Moon" joins acoustic folk-blues to a chorale. The singing could easily accompany a Sunday cathedral ritual. Theyesandeye isn't perfect, however. Despite its musical attractiveness, Rhodes needs an editor. In her obvious wish to evoke the sounds and spirits of Laurel Canyon she seems to have forgotten that the period's best songs contained lyrics as impeccably crafted as their melodies. The obvious post-hippie vibe in her tomes may be sincere, but lines like "...one color is good, the other is bad
Number of Audio Channels
Stereo
Description de l'objet fournie par le vendeur
Informations sur le vendeur professionnel
Belushi Ltd
Richard White
4 Fairscene Cres
2251 Avoca Beach, NSW
Australia
Numéro de TVA :
- GB 815623634
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- e***e (227)- Évaluations laissées par l'acheteur.Dernier moisAchat vérifiéArrived 19/9/24, accurate description, well packaged. Good communication and prompt processing. Will recommend seller to family and friends
- s***n (686)- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéIteam as described 👍 though dvd was sent in a plastic envelope with no padding from UK to Australia was pleased to see dvd intact. A padded envelope would be a good idea for such a long distance 🙂 over all I'm very pleased with my purchase from this seller 👍☺️👍
- k***m (156)- Évaluations laissées par l'acheteur.6 derniers moisAchat vérifiéReceived my item in very good time from UK to Melbourne. Safe delivery and well-packaged parcel with item in Brand-new condition as per listing. Have purchased from this Seller previously and Highly Recommend. 5 Stars from me ! ⭐⭐⭐⭐⭐
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