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BERNARDO BERTOLUCCI par Robert Phillip Kolker - Couverture rigide **État neuf**-
État :
“Book is in Like New / near Mint Condition. Will include dust jacket if it originally came with ”... En savoir plusà propos de l'état
Prix :
47,75 USD
Environ44,68 EUR
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Lieu où se trouve l'objet : US, États-Unis
Délai de livraison :
Estimé entre le ven. 21 juin et le lun. 24 juin à 43230
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Numéro de l'objet eBay :226095684637
Dernière mise à jour le 15 mai 2024 16:13:25 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Comme neuf
- Commentaires du vendeur
- ISBN-10
- 0195204921
- Book Title
- Bernardo Bertolucci
- ISBN
- 9780195204926
- Subject Area
- Performing Arts, Language Arts & Disciplines
- Publication Name
- Bernardo Bertolucci
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 8.5 in
- Subject
- Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Linguistics / General
- Publication Year
- 1985
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.8 in
- Item Weight
- 18.9 Oz
- Item Width
- 5.7 in
- Number of Pages
- 263 Pages
À propos de ce produit
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195204921
ISBN-13
9780195204926
eBay Product ID (ePID)
1205916
Product Key Features
Number of Pages
263 Pages
Language
English
Publication Name
Bernardo Bertolucci
Publication Year
1985
Subject
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Linguistics / General
Type
Textbook
Subject Area
Performing Arts, Language Arts & Disciplines
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
18.9 Oz
Item Length
8.5 in
Item Width
5.7 in
Additional Product Features
Intended Audience
Trade
Illustrated
Yes
Synopsis
More than a study of a single filmmaker, Bertolucci examines cinema as a synthesizing art, able to draw upon influences from many disciplines in its effort to explore history and the unconscious. The book also serves as a study of modern cinema's movement and direction over the past twenty years., With such films as Last tango in Paris and 1900, Bernardo Bertolucci emerged in the 1970s as one of the most eminent--and controversial--directors of contemporary international cinema. Now Robert Phillip Kolker gives us the first full length study of this major filmmaker. Although Bertolucci has made only nine feature films to date, these works testify to the complexity of his cinematic imagination. Kolker examines the films from a number of perspectives: historical, formal, and aesthetic. He analyzes Bertolucci's work in relation to that of his mentor, Pier Paolo Pasolini, and looks at his on-going aesthetic struggle with the key figure of modern cinema, Jean-Luc Godard. Closely scrutinizing the form and content of each film, Kolker emphasizes Bertolucci's experiments with narrative as well as his political, psychological, domestic, and sexual themes. Bertolucci's complex use of operatic, painterly, and literary references--especially to Verdi, Bacon, Magritte, and Borges--reveive special notice. More than a study of a single filmmaker, Bertolucci examines cinema as a synthesizing art, able to draw upon influences from many disciplines in its effort to explore history and the unconscious. The book also serves as a study of modern cinema's movement and direction over the past twenty years.About the Author Robert Phillip Kolker is Professor of Film Studies at the University of Maryland. His previous books are A Cinema of Loneliness and The Altering Eye., With such films as Last tango in Paris and 1900, Bernardo Bertolucci emerged in the 1970s as one of the most eminent--and controversial--directors of contemporary international cinema. Now Robert Phillip Kolker gives us the first full length study of this major filmmaker. Although Bertolucci has made only nine feature films to date, these works testify to the complexity of his cinematic imagination. Kolker examines the films from a number of perspectives: historical, formal, and aesthetic. He analyzes Bertolucci's work in relation to that of his mentor, Pier Paolo Pasolini, and looks at his on-going aesthetic struggle with the key figure of modern cinema, Jean-Luc Godard. Closely scrutinizing the form and content of each film, Kolker emphasizes Bertolucci's experiments with narrative as well as his political, psychological, domestic, and sexual themes. Bertolucci's complex use of operatic, painterly, and literary references--especially to Verdi, Bacon, Magritte, and Borges--reveive special notice. More than a study of a single filmmaker, Bertolucci examines cinema as a synthesizing art, able to draw upon influences from many disciplines in its effort to explore history and the unconscious. The book also serves as a study of modern cinema's movement and direction over the past twenty years. About the Author: Robert Phillip Kolker is Professor of Film Studies at the University of Maryland. His previous books are A Cinema of Loneliness and The Altering Eye., With such films as Last tango in Paris and 1900 , Bernardo Bertolucci emerged in the 1970s as one of the most eminent--and controversial--directors of contemporary international cinema. Now Robert Phillip Kolker gives us the first full length study of this major filmmaker. Although Bertolucci has made only nine feature films to date, these works testify to the complexity of his cinematic imagination. Kolker examines the films from a number of perspectives: historical, formal, and aesthetic. He analyzes Bertolucci's work in relation to that of his mentor, Pier Paolo Pasolini, and looks at his on-going aesthetic struggle with the key figure of modern cinema, Jean-Luc Godard. Closely scrutinizing the form and content of each film, Kolker emphasizes Bertolucci's experiments with narrative as well as his political, psychological, domestic, and sexual themes. Bertolucci's complex use of operatic, painterly, and literary references--especially to Verdi, Bacon, Magritte, and Borges--reveive special notice. More than a study of a single filmmaker, Bertolucci examines cinema as a synthesizing art, able to draw upon influences from many disciplines in its effort to explore history and the unconscious. The book also serves as a study of modern cinema's movement and direction over the past twenty years. About the Author : Robert Phillip Kolker is Professor of Film Studies at the University of Maryland. His previous books are A Cinema of Loneliness and The Altering Eye
ebay_catalog_id
4
Description de l'objet fournie par le vendeur
Informations sur le vendeur professionnel
Collectible Books and Music LLC
CBM LLC
316 California Ave
# 801
89509 Reno, NV
United States
Je certifie que toutes mes activités de vente seront conformes à toutes les lois et réglementations de l'UE.
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :226095684637
Dernière mise à jour le 15 mai 2024 16:13:25 Paris. Afficher toutes les modificationsAfficher toutes les modifications
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Exclus :
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