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Halls of Fame : essais par D'Agata, John-
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Lieu où se trouve l'objet : Aurora, Illinois, États-Unis
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Numéro de l'objet eBay :195948498330
Dernière mise à jour le 24 mai 2024 21:23:43 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Bon état
- Commentaires du vendeur
- Binding
- Hardcover
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9781555973148
- Book Title
- Halls of Fame : Essays
- Item Length
- 9.1in
- Publisher
- Graywolf Press
- Publication Year
- 2000
- Format
- Hardcover
- Language
- English
- Item Height
- 1in
- Genre
- Literary Collections, Social Science
- Topic
- Popular Culture, Essays
- Item Width
- 5.6in
- Item Weight
- 15.5 Oz
- Number of Pages
- 256 Pages
À propos de ce produit
Product Information
In these refreshingly bold, creative, and incisive essays, John D'Agata journeys the endless corridors of American's myriad halls of fame and faithfully reports on what he finds there. In a voice all his own, he brilliantly maps his terrain in lists, collage, and ludic narratives. From Martha Graham to the Flat Earth Society, from the brightest light in Vegas to the "outsider artist" Henry Darger, D'Agata's obsessions are as American as they are contemporary. Contents Round Trip Martha Graham, Audio Description Of Flat Earth Map: An Essay Hall of Fame: An Essay About the Ways in Which We Matter Notes toward the making of a whole human being . . . Collage History of Art, by Henry Darger And There Was Evening and There Was Morning Notes
Product Identifiers
Publisher
Graywolf Press
ISBN-10
1555973140
ISBN-13
9781555973148
eBay Product ID (ePID)
1761718
Product Key Features
Book Title
Halls of Fame : Essays
Format
Hardcover
Language
English
Topic
Popular Culture, Essays
Publication Year
2000
Genre
Literary Collections, Social Science
Number of Pages
256 Pages
Dimensions
Item Length
9.1in
Item Height
1in
Item Width
5.6in
Item Weight
15.5 Oz
Additional Product Features
Lc Classification Number
Ps3604.A33h35 2001
Reviews
"D'Agata writes masterful sentences, in all forms. [He is] adept at collage, found poetry, paragraphs long and short, lists, characterization, direct quotes, the prose poem, fragments, spoffing . . . D'Agata hovers like a moth around the sparks created where the known and unknown rub against each other."-Ruminator Review "[Halls of Fame] is a succession of 'lyric essays'-a form invented by D'Agata himself-sentences strung like a spiderweb over a subject: the people who flock to Hoover Dam, the damned who wander around and work in Las Vegas, people who know we have captive space aliens in New Mexico. Somehow D'Agata manages never to condescend . . . D'Agata is an alchemist who changes trash into pure gold. Both he and [David] Markson are 'experimental' writers who defy all we know and dread about experimental writing: they are readable."-Guy Davenport,Harper's "A daring, utterly original book by a young writer of rare intelligence and artistry . . . With wit and finesse, and writing that's as much poetry as it is prose, D'Agata is redefining the modern American essay."-Annie Dillard "John D'Agata is pushing the envelope of the modern American essay. A maximalist's intellectual curiosity collides with a minimalist's austere lyricism to produce results that are novel, intriguing, and haunting."-Phillip Lopate "John D'Agata's journey through genres, the American landscape, the history of thought, and the history of lyric action-his beautifully agonized struggle between sentence and line-and his resulting genuinely fresh conversation with silence-makes for stunning and original work."-Jorie Graham, "D'Agata writes masterful sentences, in all forms. [He is] adept at collage, found poetry, paragraphs long and short, lists, characterization, direct quotes, the prose poem, fragments, spoffing . . . D'Agata hovers like a moth around the sparks created where the known and unknown rub against each other."-Ruminator Review "[Halls of Fame] is a succession of 'lyric essays'-a form invented by D'Agata himself-sentences strung like a spiderweb over a subject: the people who flock to Hoover Dam, the damned who wander around and work in Las Vegas, people who know we have captive space aliens in New Mexico. Somehow D'Agata manages never to condescend . . . D'Agata is an alchemist who changes trash into pure gold. Both he and [David] Markson are 'experimental' writers who defy all we know and dread about experimental writing: they are readable."-Guy Davenport, Harper's "A daring, utterly original book by a young writer of rare intelligence and artistry . . . With wit and finesse, and writing that's as much poetry as it is prose, D'Agata is redefining the modern American essay."-Annie Dillard "John D'Agata is pushing the envelope of the modern American essay. A maximalist's intellectual curiosity collides with a minimalist's austere lyricism to produce results that are novel, intriguing, and haunting."-Phillip Lopate "John D'Agata's journey through genres, the American landscape, the history of thought, and the history of lyric action-his beautifully agonized struggle between sentence and line-and his resulting genuinely fresh conversation with silence-makes for stunning and original work."-Jorie Graham, John D'Agata is pushing the envelope of the modern American essay. A maximalist's intellectual curiosity collides with a minimalist's austere lyricism to produce results that are novel, intriguing, and haunting., "D'Agata writes masterful sentences, in all forms. [He is] adept at collage, found poetry, paragraphs long and short, lists, characterization, direct quotes, the prose poem, fragments, spoffing . . . D'Agata hovers like a moth around the sparks created where the known and unknown rub against each other." -- Ruminator Review "[ Halls of Fame ] is a succession of 'lyric essays'--a form invented by D'Agata himself--sentences strung like a spiderweb over a subject: the people who flock to Hoover Dam, the damned who wander around and work in Las Vegas, people who know we have captive space aliens in New Mexico. Somehow D'Agata manages never to condescend . . . D'Agata is an alchemist who changes trash into pure gold. Both he and [David] Markson are 'experimental' writers who defy all we know and dread about experimental writing: they are readable." -- Guy Davenport, Harper's "A daring, utterly original book by a young writer of rare intelligence and artistry . . . With wit and finesse, and writing that's as much poetry as it is prose, D'Agata is redefining the modern American essay." -- Annie Dillard "John D'Agata is pushing the envelope of the modern American essay. A maximalist's intellectual curiosity collides with a minimalist's austere lyricism to produce results that are novel, intriguing, and haunting." -- Phillip Lopate "John D'Agata's journey through genres, the American landscape, the history of thought, and the history of lyric action--his beautifully agonized struggle between sentence and line--and his resulting genuinely fresh conversation with silence--makes for stunning and original work." -- Jorie Graham, D'Agata writes masterful sentences, in all forms. [He is] adept at collage, found poetry, paragraphs long and short, lists, characterization, direct quotes, the prose poem, fragments, spoffing . . . D'Agata hovers like a moth around the sparks created where the known and unknown rub against each other., "D'Agata writes masterful sentences, in all forms. [He is] adept at collage, found poetry, paragraphs long and short, lists, characterization, direct quotes, the prose poem, fragments, spoffing . . . D'Agata hovers like a moth around the sparks created where the known and unknown rub against each other."- Ruminator Review "[ Halls of Fame ] is a succession of 'lyric essays'-a form invented by D'Agata himself-sentences strung like a spiderweb over a subject: the people who flock to Hoover Dam, the damned who wander around and work in Las Vegas, people who know we have captive space aliens in New Mexico. Somehow D'Agata manages never to condescend . . . D'Agata is an alchemist who changes trash into pure gold. Both he and [David] Markson are 'experimental' writers who defy all we know and dread about experimental writing: they are readable."- Guy Davenport, Harper's "A daring, utterly original book by a young writer of rare intelligence and artistry . . . With wit and finesse, and writing that's as much poetry as it is prose, D'Agata is redefining the modern American essay."- Annie Dillard "John D'Agata is pushing the envelope of the modern American essay. A maximalist's intellectual curiosity collides with a minimalist's austere lyricism to produce results that are novel, intriguing, and haunting."- Phillip Lopate "John D'Agata's journey through genres, the American landscape, the history of thought, and the history of lyric action-his beautifully agonized struggle between sentence and line-and his resulting genuinely fresh conversation with silence-makes for stunning and original work."- Jorie Graham, [ Halls of Fame ] is a succession of 'lyric essays'--a form invented by D'Agata himself--sentences strung like a spiderweb over a subject: the people who flock to Hoover Dam, the damned who wander around and work in Las Vegas, people who know we have captive space aliens in New Mexico. Somehow D'Agata manages never to condescend . . . D'Agata is an alchemist who changes trash into pure gold. Both he and [David] Markson are 'experimental' writers who defy all we know and dread about experimental writing: they are readable., A daring, utterly original book by a young writer of rare intelligence and artistry . . . With wit and finesse, and writing that's as much poetry as it is prose, D'Agata is redefining the modern American essay., John D'Agata's journey through genres, the American landscape, the history of thought, and the history of lyric action--his beautifully agonized struggle between sentence and line--and his resulting genuinely fresh conversation with silence--makes for stunning and original work.
Copyright Date
2001
Lccn
00-101780
Dewey Decimal
814/.6
Intended Audience
Trade
Dewey Edition
21
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Numéro de l'objet eBay :195948498330
Dernière mise à jour le 24 mai 2024 21:23:43 Paris. Afficher toutes les modificationsAfficher toutes les modifications
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