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World Music par Bohlman, Philip Vilas-
by Bohlman, Philip Vilas | PB | Good
5,14 USD
Environ4,61 EUR
État :
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Bon état
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Numéro de l'objet eBay :144702872030
Dernière mise à jour le 01 sept. 2024 21:13:42 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Bon état
- Commentaires du vendeur
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 0192854291
- Book Title
- World Music: a Very Short Introduction
- Book Series
- Very Short Introductions Ser.
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 6.9 in
- Publication Year
- 2002
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.5 in
- Genre
- Music
- Topic
- General, Genres & Styles / International
- Item Weight
- 6.3 Oz
- Item Width
- 4.4 in
- Number of Pages
- 200 Pages
À propos de ce produit
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0192854291
ISBN-13
9780192854292
eBay Product ID (ePID)
2220761
Product Key Features
Book Title
World Music: a Very Short Introduction
Number of Pages
200 Pages
Language
English
Publication Year
2002
Topic
General, Genres & Styles / International
Illustrator
Yes
Genre
Music
Book Series
Very Short Introductions Ser.
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
6.3 Oz
Item Length
6.9 in
Item Width
4.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2002-512787
Reviews
'Philip Bohlman's superb study places world music squarely in history - and a lengthy history at that, reaching back to the Age of Discovery and even beyond.'Richard Middleton, University of Newcastle upon Tyne
Dewey Edition
23
Series Volume Number
Vol. 65
Dewey Decimal
780.9
Table Of Content
1. In the Beginning: Myth, Nature, and the Origins of Music2. The West and the World3. Between Myth and History, Between Europe and Its Others4. Music of the Folk5. Old-Time Religion6. Music of the Nations7. Diaspora8. Colonial Musics, Post-Colonial Worlds, and the Globalization of WorldbeatAppendix 1Appendix 2Appendix 3Appendix 4
Synopsis
'World music' emerged as an invention of the West from encounters with other cultures. This book draws readers into a remarkable range of these historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music'sdiversity. World Music is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians - such as Bob Marley, Bartok, and Nusrat Fateh Ali Khan - and attempts toaccount for world music's growing presence and popularity at the beginning of the twenty-first century.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable., World Music draws readers into a remarkable range of historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music's diversity. This book is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians--such as Bob Marley, Dana International, Bartok, and Nusrat Fateh Ali Khan--and attempts to account for world music's growing presence and popularity at the beginning of the twenty-first century., 'World music' emerged as an invention of the West from encounters with other cultures. This book draws readers into a remarkable range of these historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music's diversity. World Music is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians - such as Bob Marley, Bartok, and Nusrat Fateh Ali Khan - and attempts to account for world music's growing presence and popularity at the beginning of the twenty-first century.
LC Classification Number
ML3470.B68 2002
Description de l'objet fournie par le vendeur
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