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Beyond the Aria : autonomisation artistique pour le chanteur classique par GOREN-
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- Achat immédiatBeyond the Aria : autonomisation artistique pour le chanteur classique par GOREN
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Lieu où se trouve l'objet : Multiple Locations, États-Unis
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Estimé entre le ven. 28 juin et le lun. 1 juil. à 43230
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Numéro de l'objet eBay :134986749599
Dernière mise à jour le 21 mai 2024 21:15:11 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Bon état
- Commentaires du vendeur
- “Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
- ISBN
- 9781538137932
- Subject Area
- Music
- Publication Name
- Beyond the Aria: Artistic Self-Empowerment for the Classical Singer : Why You Want It, Why You've Been Denied It, and How to Achieve It
- Publisher
- Leonard Corporation, Hal
- Item Length
- 9.1 in
- Subject
- Instruction & Study / Voice, Genres & Styles / Classical, Instruction & Study / General
- Publication Year
- 2020
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5 in
- Item Weight
- 12 Oz
- Item Width
- 6 in
- Number of Pages
- 210 Pages, 176 Pages
À propos de ce produit
Product Identifiers
Publisher
Leonard Corporation, Hal
ISBN-10
1538137933
ISBN-13
9781538137932
eBay Product ID (ePID)
6038431487
Product Key Features
Number of Pages
210 Pages, 176 Pages
Language
English
Publication Name
Beyond the Aria: Artistic Self-Empowerment for the Classical Singer : Why You Want It, Why You've Been Denied It, and How to Achieve It
Subject
Instruction & Study / Voice, Genres & Styles / Classical, Instruction & Study / General
Publication Year
2020
Type
Textbook
Subject Area
Music
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
12 Oz
Item Length
9.1 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2020-038834
Reviews
Unable to afford a vocal coach? Buy this book and have the next best thing on your shelf. Neal Goren presents a sound methodology for analyzing musical text and character development based on his extensive experience in the professional opera and vocal performance world., This handbook offers broad guidance in score analysis, text study, and performance practice, and shares interviews with eight notable singers as a source of practical insight., Beyond the Aria is a personal reflection of Neal Goren's unique and diverse talents as recitalist, vocal coach, and entrepreneur. His insights will prove invaluable to singers, aspiring vocal coaches and opera conductors. As one reads, it is clear that Goren has spent a lifetime in pursuit of helping singers reach a higher level of artistic expression., Having had the opportunity to work with Neal Goren early in my career, I learned so much about musical style. Neal is one of the true geniuses of classical repertoire coaching and his words and ideas have remained with me to this day., Neal Goren has compiled a thorough roadmap that serves as a guide towards excellence for emerging artists. His personal insight, relationships, and years of experience inform the reader on every facet of artistry needed to excel in opera. A wonderful, real-world application of solutions to many issues that will confront singers at any stage in their career. Bravo Neal!, This handbook offers broad guidance in score analysis, text study, and perfor- mance practice, and shares interviews with eight notable singers as a source of practical insight.
Illustrated
Yes
Table Of Content
Introduction Why you want artistic self-empowerment Why you have been denied it Notes to coach-accompanists and aspiring conductors Part I - Tools for Musical Self-empowerment Chapter 1: Know Where You're Going Chapter 2 Where to Begin: Text Analysis and Expression Marks Chapter 3: Ornamentation and Recitative Part II - Performance Practice Chapter 4: Performance Practice: Overview Chapter 5: Song Interpretation Chapter 6: Abstract Music and Vocalizes Chapter 7: Performance Practice: Conclusion Part III - Musical musings Chapter 8: Some vexing musical examples Chapter 9: The (in)validity of tradition in vocal music Chapter 10: Professional artistic collaboration strategies Chapter 11: Audition Strategies Chapter 12: Maria Callas: self-effacing purist Part IV - Six Example Analyses Chapter 13: Six Example Analyses "Mi chiamano Mimi", from La Bohème by Puccini "Se come voi piccina", from Le villi by Puccini "All'afflitto e dolce il pianto", from Roberto Devereux by Donizetti "Va, laisse couler mes larmes", from Werther by Massenet "Il lacerato spirito", from Simon Boccanegra by Verdi Du bist wie eine Blume, Lied by Schumann Part V - Interviews with great singing actors Chapter 14: Harolyn Blackwell Chapter 15: Barbara Hannigan Chapter 16: Audra McDonald Chapter 17: Diana Soviero Chapter 18: Christa Ludwig Chapter 19: Iestyn Davies Chapter 20: Jonas Kaufman Chapter 21: Davóne Tines, Introduction Why you want artistic self-empowerment Why you have been denied it Notes to coach-accompanists and aspiring conductors Part I - Tools for Musical Self-empowerment Chapter 1: Know Where You''re Going Chapter 2 Where to Begin: Text Analysis and Expression Marks Chapter 3: Ornamentation and Recitative Part II - Performance Practice Chapter 4: Performance Practice: Overview Chapter 5: Song Interpretation Chapter 6: Abstract Music and Vocalizes Chapter 7: Performance Practice: Conclusion Part III - Musical musings Chapter 8: Some vexing musical examples Chapter 9: The (in)validity of tradition in vocal music Chapter 10: Professional artistic collaboration strategies Chapter 11: Audition Strategies Chapter 12: Maria Callas: self-effacing purist Part IV - Six Example Analyses Chapter 13: Six Example Analyses "Mi chiamano Mimi", from La Bohème by Puccini "Se come voi piccina", from Le villi by Puccini "All''afflitto e dolce il pianto", from Roberto Devereux by Donizetti "Va, laisse couler mes larmes", from Werther by Massenet "Il lacerato spirito", from Simon Boccanegra by Verdi Du bist wie eine Blume, Lied by Schumann Part V - Interviews with great singing actors Chapter 14: Harolyn Blackwell Chapter 15: Barbara Hannigan Chapter 16: Audra McDonald Chapter 17: Diana Soviero Chapter 18: Christa Ludwig Chapter 19: Iestyn Davies Chapter 20: Jonas Kaufman Chapter 21: Davóne Tines > Chapter 13: Six Example Analyses "Mi chiamano Mimi", from La Bohème by Puccini "Se come voi piccina", from Le villi by Puccini "All''afflitto e dolce il pianto", from Roberto Devereux by Donizetti "Va, laisse couler mes larmes", from Werther by Massenet "Il lacerato spirito", from Simon Boccanegra by Verdi Du bist wie eine Blume, Lied by Schumann Part V - Interviews with great singing actors Chapter 14: Harolyn Blackwell Chapter 15: Barbara Hannigan Chapter 16: Audra McDonald Chapter 17: Diana Soviero Chapter 18: Christa Ludwig Chapter 19: Iestyn Davies Chapter 20: Jonas Kaufman Chapter 21: Davóne Tines > Chapter 13: Six Example Analyses "Mi chiamano Mimi", from La Bohème by Puccini "Se come voi piccina", from Le villi by Puccini "All''afflitto e dolce il pianto", from Roberto Devereux by Donizetti "Va, laisse couler mes larmes", from Werther by Massenet "Il lacerato spirito", from Simon Boccanegra by Verdi Du bist wie eine Blume, Lied by Schumann Part V - Interviews with great singing actors Chapter 14: Harolyn Blackwell Chapter 15: Barbara Hannigan Chapter 16: Audra McDonald Chapter 17: Diana Soviero Chapter 18: Christa Ludwig Chapter 19: Iestyn Davies Chapter 20: Jonas Kaufman Chapter 21: Davóne Tines > Chapter 13: Six Example Analyses "Mi chiamano Mimi", from La Bohème by Puccini "Se come voi piccina", from Le villi by Puccini "All''afflitto e dolce il pianto", from Roberto Devereux by Donizetti "Va, laisse couler mes larmes", from Werther by Massenet "Il lacerato spirito", from Simon Boccanegra by Verdi Du bist wie eine Blume, Lied by Schumann Part V - Interviews with great singing actors Chapter 14: Harolyn Blackwell Chapter 15: Barbara Hannigan Chapter 16: Audra McDonald Chapter 17: Diana Soviero Chapter 18: Christa Ludwig Chapter 19: Iestyn Davies Chapter 20: Jonas Kaufman Chapter 21: Davóne Tines /BR>"Va, laisse couler mes larmes", from Werther by Massenet "Il lacerato spirito", from Simon Boccanegra by Verdi Du bist wie eine Blume, Lied by Schumann Part V - Interviews with great singing actors Chapter 14: Harolyn Blackwell Chapter 15: Barbara Hannigan Chapter 16: Audra McDonald Chapter 17: Diana Soviero Chapter 18: Christa Ludwig Chapter 19: Iestyn Davies Chapter 20: Jonas Kaufman Chapter 21: Davóne Tines
Synopsis
Beyond the Aria provides singers with the tools to develop an inquisitive and analytical mindset about the artistic details found in the scores. Neal Goren takes singers through a careful reading of the clues provided by the librettist and composer informed by performance practice, empowering singers to make their own valid artistic choices., This book will help singers develop an inquisitive and analytical mindset about the artistic details found in the scores being studied. Neal Goren helps singers feel musically empowered to make and discuss their own valid artistic choices, deriving greater satisfaction from their performances while making themselves more employable., It is no secret that the opera industry is contracting and that there are fewer professional opportunities. But what causes one singer to be in demand over another is not exclusively a special instrument or exceptional vocal technique--rather, the ability to interpret the music and portray character convincingly plays an increasingly vital role in today's opera industry. Beyond the Aria: Artistic Self-Empowerment for the Classical Singer provides singers with the tools to develop an inquisitive and analytical mindset about the artistic details found in scores. Neal Goren takes singers through a careful reading of clues provided by the librettist and composer, informed by performance practice, and empowers singers to make their own valid artistic choices. Sample analyses of six standard arias and songs are provided as a guide of characterization. Chapters also address artistic collaboration and audition strategies. Also included are exclusive interviews with eight great singing actors of the twentieth and twenty-first centuries, including Jonas Kaufmann, Christa Ludwig, Audra McDonald, and Barbara Hannigan, who share their individual methods for constructing a character. ntieth and twenty-first centuries, including Jonas Kaufmann, Christa Ludwig, Audra McDonald, and Barbara Hannigan, who share their individual methods for constructing a character.ntieth and twenty-first centuries, including Jonas Kaufmann, Christa Ludwig, Audra McDonald, and Barbara Hannigan, who share their individual methods for constructing a character.ntieth and twenty-first centuries, including Jonas Kaufmann, Christa Ludwig, Audra McDonald, and Barbara Hannigan, who share their individual methods for constructing a character., It is no secret that the opera industry is contracting and that there are fewer professional opportunities. But what causes one singer to be in demand over another is not exclusively a special instrument or exceptional vocal technique--rather, it is the ability to interpret the music and portray character convincingly. Beyond the Aria provides singers with the tools to develop an inquisitive and analytical mindset about the artistic details found in the scores. Singers will feel musically empowered to make and discuss their own valid artistic choices, deriving greater satisfaction from their performances while making themselves more employable and ultimately achieve a successful career. Neal Goren takes singers through a careful reading of the clues provided by the librettist and composer with the appropriate performance practice of vocal repertoire through the ages. Sample analyses of six standard arias and songs are provided as a guide of characterization. Chapters also address artistic collaboration and audition strategies. Also included are exclusive interviews with eight great singing actors of the 20th and 21st centuries, including Jonas Kaufman, Christa Ludwig, Audra McDonald, and Barbara Hannigan, who share their individual methods for constructing a character., It is no secret that the opera industry is contracting and that there are fewer professional opportunities. But what causes one singer to be in demand over another is not exclusively a special instrument or exceptional vocal technique--rather, the ability to interpret the music and portray character convincingly plays an increasingly vital role in today's opera industry. Beyond the Aria: Artistic Self-Empowerment for the Classical Singer provides singers with the tools to develop an inquisitive and analytical mindset about the artistic details found in scores. Neal Goren takes singers through a careful reading of clues provided by the librettist and composer, informed by performance practice, and empowers singers to make their own valid artistic choices. Sample analyses of six standard arias and songs are provided as a guide of characterization. Chapters also address artistic collaboration and audition strategies. Also included are exclusive interviews with eight great singing actors of the twentieth and twenty-first centuries, including Jonas Kaufmann, Christa Ludwig, Audra McDonald, and Barbara Hannigan, who share their individual methods for constructing a character.
LC Classification Number
MT892.G67 2020
ebay_catalog_id
4
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Numéro de l'objet eBay :134986749599
Dernière mise à jour le 21 mai 2024 21:15:11 Paris. Afficher toutes les modificationsAfficher toutes les modifications
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