Photo 1/8
City of Laughter sexe et satire au XVIIIe siècle Londres Vic Gatrell 1ère édition ED-
État :
“Publisher/Date: Walker & Co. ; 2007. First US Edition. This book is the hardcover edition. The text ”... En savoir plusà propos de l'état
Prix :
11,21 USD
Environ10,37 EUR
Prix de vente initial : 14,95 USD
Économisez 3,74 USD (-25 %)
Offre directe :
Livraison :
Lieu où se trouve l'objet : Branson, Missouri, États-Unis
Délai de livraison :
Estimé entre le jeu. 13 juin et le lun. 17 juin à 43230
Retours :
Retour sous 30 jours. L'acheteur paie les frais de retour. Afficher les détails- pour en savoir plus sur les retours
Paiements :
Achetez en toute confiance
Détails sur le vendeur
- 100 % d'évaluations positives
Inscrit comme vendeur professionnel
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :134956485081
Caractéristiques de l'objet
- État
- Bon état
- Commentaires du vendeur
- Narrative Type
- Nonfiction
- Features
- 1st Edition, Illustrated
- Intended Audience
- Adults
- Special Attributes
- Dust Jacket
- ISBN
- 9780802716026
- Book Title
- City of Laughter : Sex and Satire in Eighteenth-Century London
- Item Length
- 9.5 in
- Publisher
- Walker & Company
- Publication Year
- 2006
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.8 in
- Genre
- Literary Criticism, History, Social Science
- Topic
- Europe / Great Britain / General, Customs & Traditions, Humor
- Item Width
- 6.3 in
- Item Weight
- 61.2 Oz
- Number of Pages
- 720 Pages
À propos de ce produit
Product Information
Between 1770 and 1830, London was the world's largest and richest city, the center of hectic social ferment and spectacular sexual liberation. These singular conditions prompted revolutionary modes of thought, novel sensibilities, and constant debate about the relations between men and women. Such an atmosphere also stimulated outrageous behavior, from James Boswell's copulating on Westminster Bridge to the Prince Regent's attempt to seduce a woman by pleading, sobbing, and stabbing himself with a pen-knife. And nowhere was London's lewdness and iconoclasm more vividly represented than its satire. City of Laughter chronicles the rise and fall of a great tradition of ridicule and of the satirical, humorous, and widely circulated prints that sustained it. Focusing not on the polished wit upon which polite society prided itself, but rather on malicious, sardonic and satirical humor--humor that was bawdy, knowing and ironic--Vic Gatrell explores what this tradition says about Georgian views of the world and about their own pretensions. Taking the reader into the clubs and taverns where laughter flowed most freely, Gatrell examines how Londoners laughed about sex, scandal, fashion, drink and similar pleasures of life. Combining words and images-including more than 300 original drawings by Cruikshank, Gillray, Rowlandson, and others-- City of Laughter offers a brilliantly original panorama of the era, providing a ground-breaking reappraisal of a period of change and a unique account of the origins of our attitudes toward sex, celebrity and satire today.
Product Identifiers
Publisher
Walker & Company
ISBN-10
0802716024
ISBN-13
9780802716026
eBay Product ID (ePID)
56966432
Product Key Features
Book Title
City of Laughter : Sex and Satire in Eighteenth-Century London
Format
Hardcover
Language
English
Topic
Europe / Great Britain / General, Customs & Traditions, Humor
Publication Year
2006
Illustrator
Yes
Genre
Literary Criticism, History, Social Science
Number of Pages
720 Pages
Dimensions
Item Length
9.5 in
Item Height
1.8 in
Item Width
6.3 in
Item Weight
61.2 Oz
Additional Product Features
Lc Classification Number
Hq18.G7
Reviews
"The fact that high and low coexisted in the minds and behaviors of actual Georgians is a bit of a leap for us. So too is an appreciation of these engravings, which are at once an expression of an extraordinarily refined visual facility and a ribald, often vicious temperament. The city that produced them - and whose life is the real subject of Gatrell's book - is similarly exotic terrain. Late Georgian London was a teeming and vibrant place, home to 10% of the country's people, ground zero for its aristocratic politics and its striving, though still fragile, middle class...It was the same place, of course, the same mixture of high and low, the same blend of want and opportunity. It was our world struggling to be born, and Gatrell has given us a vibrant album of its strange snap-shots." -Tim Rutten,Los Angeles Times "Laughter may be universal, but what provokes it is not. Even within a culture, humor can change drastically over a relatively short period. This truth is abundantly documented in "City of Laughter," Vic Gatrell's study of comic prints produced in London during the late 18th and early 19th centuries, a period he deems the golden age of satire…The prints themselves, hundreds of them, are wonderful, and Gillray, in full flight, can be hilarious, with a surreal touch that makes him seem much more modern than his peers. Mr. Gatrell provides expert, detailed commentary on each and every one." -William Grimes,The New York Times "[An] exhilarating history...Gatrell's book features nearly three hundred irreverently foul examples, to which he is an entertaining and appropriately digressive guide. In his hands, the prints provide a bewildering, sometimes nauseating, but ultimately enlightening portrait of a vigorously satirical time that lasted until the great settling down of the Victorian era." -The New Yorker "Graphic sex, booze and personal attacks were staples of the visual satire of 18th-century England, as Vic Gatrell's "City of Laughter: Sex and Satire in Eighteenth-Century London" illustrates in delicious detail…A vivid social history…A refreshing, sometimes startling account…An invaluable history of these artists, engravers and print sellers and the raunchy, fleshy world they inhabited and depicted...The glory of "City of Laughter" is the nearly 300 illustrations, most in gorgeous color, that decorate its pages throughout. Walker & Company has done Gatrell proud: The entire book is printed on glossy paper that retains color and the clarity of the illustrations' often intricate details, even though most of the prints are reduced in size from their originals, sometimes considerably…This is a scholarly work that you might approach as a coffee-table art book, or as some of us do the New Yorker, paging through the cartoons first. Filled with vibrant images celebrating the bawdy, the salacious and the grotesque, "City of Laughter" is a visual delight." -Kathryn Shevelow,San Diego Union-Tribune "A lively, erudite study." -Kirkus Reviews "Rarely has a book matched its subject better than "City of Laughter: Sex and Satire in Eighteenth- Century London.' Those times were gargantuan and teeming with life, and so is Vic Gatrell's 695-page, richly illustrated work." -George Walden,Bloomberg.com "A wonderfully original, surprising, informative, fascinating and entertaining book. For years historians have been describing the rise of polite culture and polite manners in eighteenth-century London. Gatrell has spent those years examining the vast and almost entirely unresearched archive of comic and bawdy prints that tell us what made, A wonderfully original, surprising, informative, fascinating and entertaining book. For years historians have been describing the rise of polite culture and polite manners in eighteenth-century London. Gatrell has spent those years examining the vast and almost entirely unresearched archive of comic and bawdy prints that tell us what made Londoners laugh around 1800. He tells us instead about the rudeness in the streets, the bedrooms, the taverns and the brothels, that pointed its joyful arse at the polite world., 'A wonderfully original, surprising, informative, fascinating and entertaining book. For years historians have been describing the rise of polite culture and polite manners in eighteenth-century London. Gatrell has spent those years examining the vast and almost entirely unresearched archive of comic and bawdy prints that tell us what made Londoners laugh around 1800. He tells us instead about the rudeness in the streets, the bedrooms, the taverns and the brothels, that pointed its joyful arse at the polite world.' - Professor John Barrell, University of York, "The fact that high and low coexisted in the minds and behaviors of actual Georgians is a bit of a leap for us. So too is an appreciation of these engravings, which are at once an expression of an extraordinarily refined visual facility and a ribald, often vicious temperament. The city that produced them -- and whose life is the real subject of Gatrell''s book -- is similarly exotic terrain. Late Georgian London was a teeming and vibrant place, home to 10% of the country''s people, ground zero for its aristocratic politics and its striving, though still fragile, middle class...It was the same place, of course, the same mixture of high and low, the same blend of want and opportunity. It was our world struggling to be born, and Gatrell has given us a vibrant album of its strange snap-shots." - Tim Rutten, Los Angeles Times "Laughter may be universal, but what provokes it is not. Even within a culture, humor can change drastically over a relatively short period. This truth is abundantly documented in "City of Laughter," Vic Gatrell''s study of comic prints produced in London during the late 18th and early 19th centuries, a period he deems the golden age of satire The prints themselves, hundreds of them, are wonderful, and Gillray, in full flight, can be hilarious, with a surreal touch that makes him seem much more modern than his peers. Mr. Gatrell provides expert, detailed commentary on each and every one." - William Grimes, The New York Times "[An] exhilarating history...Gatrell''s book features nearly three hundred irreverently foul examples, to which he is an entertaining and appropriately digressive guide. In his hands, the prints provide a bewildering, sometimes nauseating, but ultimately enlightening portrait of a vigorously satirical time that lasted until the great settling down of the Victorian era." - The New Yorker "Graphic sex, booze and personal attacks were staples of the visual satire of 18th-century England, as Vic Gatrell''s "City of Laughter: Sex and Satire in Eighteenth-Century London" illustrates in delicious detail A vivid social history A refreshing, sometimes startling account An invaluable history of these artists, engravers and print sellers and the raunchy, fleshy world they inhabited and depicted...The glory of "City of Laughter" is the nearly 300 illustrations, most in gorgeous color, that decorate its pages throughout. Walker & Company has done Gatrell proud: The entire book is printed on glossy paper that retains color and the clarity of the illustrations'' often intricate details, even though most of the prints are reduced in size from their originals, sometimes considerably This is a scholarly work that you might approach as a coffee-table art book, or as some of us do the New Yorker, paging through the cartoons first. Filled with vibrant images celebrating the bawdy, the salacious and the grotesque, "City of Laughter" is a visual delight." - Kathryn Shevelow, San Diego Union-Tribune "A lively, erudite study." - Kirkus Reviews "Rarely has a book matched its subject better than "City of Laughter: Sex and Satire in Eighteenth- Century London.'''' Those times were gargantuan and teeming with life, and so is Vic Gatrell''s 695-page, richly illustrated work." - George Walden, Bloomberg.com "A wonderfully original, surprising, informative, fascinating and entertaining book. For years historians have been describing the rise of polite culture and polite manners in eighteenth-century London. Gatrell has spent those years examining the vast and almost entirely unresearched archive of comic and bawdy prints that tell us what made Londoners laugh around 1800. He tells us instead about the rudeness in the streets, the bedrooms, the taverns and the brothels, that pointed its joyful arse at the polite world." - Professor John Barrell, University of York, The fact that high and low coexisted in the minds and behaviors of actual Georgians is a bit of a leap for us. So too is an appreciation of these engravings, which are at once an expression of an extraordinarily refined visual facility and a ribald, often vicious temperament. The city that produced them -- and whose life is the real subject of Gatrell's book -- is similarly exotic terrain. Late Georgian London was a teeming and vibrant place, home to 10% of the country's people, ground zero for its aristocratic politics and its striving, though still fragile, middle class...It was the same place, of course, the same mixture of high and low, the same blend of want and opportunity. It was our world struggling to be born, and Gatrell has given us a vibrant album of its strange snap-shots., "The fact that high and low coexisted in the minds and behaviors of actual Georgians is a bit of a leap for us. So too is an appreciation of these engravings, which are at once an expression of an extraordinarily refined visual facility and a ribald, often vicious temperament. The city that produced them -- and whose life is the real subject of Gatrell's book -- is similarly exotic terrain. Late Georgian London was a teeming and vibrant place, home to 10% of the country's people, ground zero for its aristocratic politics and its striving, though still fragile, middle class...It was the same place, of course, the same mixture of high and low, the same blend of want and opportunity. It was our world struggling to be born, and Gatrell has given us a vibrant album of its strange snap-shots." - Tim Rutten, "Los Angeles Times" "Laughter may be universal, but what provokes it is not. Even within a culture, humor can change drastically over a relatively short period. This truth is abundantly documented in "City of Laughter," Vic Gatrell' s study of comic prints produced in London during the late 18th and early 19th centuries, a period he deems the golden age of satire... The prints themselves, hundreds of them, are wonderful, and Gillray, in full flight, can be hilarious, with a surreal touch that makes him seem much more modern than his peers. Mr. Gatrell provides expert, detailed commentary on each and every one." - William Grimes, "The New York Times" "[An] exhilarating history...Gatrell' s book features nearly three hundred irreverently foul examples, to which he is an entertaining and appropriately digressive guide. In his hands, the prints provide abewildering, sometimes nauseating, but ultimately enlightening portrait of a vigorously satirical time that lasted until the great settling down of the Victorian era." - "The New Yorker""" "Graphic sex, booze and personal attacks were staples of the visual satire of 18th-century England, as Vic Gatrell's "City of Laughter: Sex and Satire in Eighteenth-Century London" illustrates in delicious detail... A vivid social history... A refreshing, sometimes startling account... An invaluable history of these artists, engravers and print sellers and the raunchy, fleshy world they inhabited and depicted...The glory of "City of Laughter" is the nearly 300 illustrations, most in gorgeous color, that decorate its pages throughout. Walker & Company has done Gatrell proud: The entire book is printed on glossy paper that retains color and the clarity of the illustrations' often intricate details, even though most of the prints are reduced in size from their originals, sometimes considerably... This is a scholarly work that you might approach as a coffee-table art book, or as some of us do the New Yorker, paging through the cartoons first. Filled with vibrant images celebrating the bawdy, the salacious and the grotesque, "City of Laughter" is a visual delight." - Kathryn Shevelow, "San Diego Union-Tribune""" "A lively, erudite study." - "Kirkus Reviews" "Rarely has a book matched its subject better than "City of Laughter: Sex and Satire in Eighteenth- Century London.' Those times were gargantuan and teeming with life, and so is Vic Gatrell's 695-page, richly illustrated work." - George Walden, "Bloomberg.com" "A wonderfully original, surprising, informative, fascinating and entertaining book. For years historians have been describing the rise of polite culture and polite manners in eighteenth-century London. Gatrell has spent those years examining the vast and almost entirely unresearched archive of comic and bawdy prints that tell us what made Londoners laugh around 1800. He tells us instead about the rudeness in the streets, the bedrooms, the taverns and the brothels, that pointed its joyful arse at the polite world." - Professor John Barrell, University of York, Laughter may be universal, but what provokes it is not. Even within a culture, humor can change drastically over a relatively short period. This truth is abundantly documented in "City of Laughter," Vic Gatrell's study of comic prints produced in London during the late 18th and early 19th centuries, a period he deems the golden age of satire...The prints themselves, hundreds of them, are wonderful, and Gillray, in full flight, can be hilarious, with a surreal touch that makes him seem much more modern than his peers. Mr. Gatrell provides expert, detailed commentary on each and every one., Graphic sex, booze and personal attacks were staples of the visual satire of 18th-century England, as Vic Gatrell's "City of Laughter: Sex and Satire in Eighteenth-Century London" illustrates in delicious detail...A vivid social history...A refreshing, sometimes startling account...An invaluable history of these artists, engravers and print sellers and the raunchy, fleshy world they inhabited and depicted...The glory of "City of Laughter" is the nearly 300 illustrations, most in gorgeous color, that decorate its pages throughout. Walker & Company has done Gatrell proud: The entire book is printed on glossy paper that retains color and the clarity of the illustrations' often intricate details, even though most of the prints are reduced in size from their originals, sometimes considerably...This is a scholarly work that you might approach as a coffee-table art book, or as some of us do the New Yorker, paging through the cartoons first. Filled with vibrant images celebrating the bawdy, the salacious and the grotesque, "City of Laughter" is a visual delight., 'A wonderfully original, surprising, informative, fascinating and entertaining book. For years historians have been describing the rise of polite culture and polite manners in eighteenth-century London. Gatrell has spent those years examining the vast and almost entirely unresearched archive of comic and bawdy prints that tell us what made Londoners laugh around 1800. He tells us instead about the rudeness in the streets, the bedrooms, the taverns and the brothels, that pointed its joyful arse at the polite world.' -Professor John Barrell, University of York, Rarely has a book matched its subject better than "City of Laughter: Sex and Satire in Eighteenth- Century London.'' Those times were gargantuan and teeming with life, and so is Vic Gatrell's 695-page, richly illustrated work., "The fact that high and low coexisted in the minds and behaviors of actual Georgians is a bit of a leap for us. So too is an appreciation of these engravings, which are at once an expression of an extraordinarily refined visual facility and a ribald, often vicious temperament. The city that produced them -- and whose life is the real subject of Gatrell's book -- is similarly exotic terrain. Late Georgian London was a teeming and vibrant place, home to 10% of the country's people, ground zero for its aristocratic politics and its striving, though still fragile, middle class...It was the same place, of course, the same mixture of high and low, the same blend of want and opportunity. It was our world struggling to be born, and Gatrell has given us a vibrant album of its strange snap-shots." -- Tim Rutten, Los Angeles Times "Laughter may be universal, but what provokes it is not. Even within a culture, humor can change drastically over a relatively short period. This truth is abundantly documented in "City of Laughter," Vic Gatrell's study of comic prints produced in London during the late 18th and early 19th centuries, a period he deems the golden age of satire...The prints themselves, hundreds of them, are wonderful, and Gillray, in full flight, can be hilarious, with a surreal touch that makes him seem much more modern than his peers. Mr. Gatrell provides expert, detailed commentary on each and every one." --William Grimes, The New York Times "[An] exhilarating history...Gatrell's book features nearly three hundred irreverently foul examples, to which he is an entertaining and appropriately digressive guide. In his hands, the prints provide a bewildering, sometimes nauseating, but ultimately enlightening portrait of a vigorously satirical time that lasted until the great settling down of the Victorian era." -- The New Yorker "Graphic sex, booze and personal attacks were staples of the visual satire of 18th-century England, as Vic Gatrell's "City of Laughter: Sex and Satire in Eighteenth-Century London" illustrates in delicious detail...A vivid social history...A refreshing, sometimes startling account...An invaluable history of these artists, engravers and print sellers and the raunchy, fleshy world they inhabited and depicted...The glory of "City of Laughter" is the nearly 300 illustrations, most in gorgeous color, that decorate its pages throughout. Walker & Company has done Gatrell proud: The entire book is printed on glossy paper that retains color and the clarity of the illustrations' often intricate details, even though most of the prints are reduced in size from their originals, sometimes considerably...This is a scholarly work that you might approach as a coffee-table art book, or as some of us do the New Yorker, paging through the cartoons first. Filled with vibrant images celebrating the bawdy, the salacious and the grotesque, "City of Laughter" is a visual delight." --Kathryn Shevelow, San Diego Union-Tribune "A lively, erudite study." -- Kirkus Reviews "Rarely has a book matched its subject better than "City of Laughter: Sex and Satire in Eighteenth- Century London.'' Those times were gargantuan and teeming with life, and so is Vic Gatrell's 695-page, richly illustrated work." --George Walden, Bloomberg.com "A wonderfully original, surprising, informative, fascinating and entertaining book. For years historians have been describing the rise of polite culture and polite manners in eighteenth-century London. Gatrell has spent those years examining the vast and almost entirely unresearched archive of comic and bawdy prints that tell us what made Londoners laugh around 1800. He tells us instead about the rudeness in the streets, the bedrooms, the taverns and the brothels, that pointed its joyful arse at the polite world." -- Professor John Barrell, University of York, "The fact that high and low coexisted in the minds and behaviors of actual Georgians is a bit of a leap for us. So too is an appreciation of these engravings, which are at once an expression of an extraordinarily refined visual facility and a ribald, often vicious temperament. The city that produced them -- and whose life is the real subject of Gatrell''s book -- is similarly exotic terrain. Late Georgian London was a teeming and vibrant place, home to 10% of the country''s people, ground zero for its aristocratic politics and its striving, though still fragile, middle class...It was the same place, of course, the same mixture of high and low, the same blend of want and opportunity. It was our world struggling to be born, and Gatrell has given us a vibrant album of its strange snap-shots." - Tim Rutten, Los Angeles Times "Laughter may be universal, but what provokes it is not. Even within a culture, humor can change drastically over a relatively short period. This truth is abundantly documented in "City of Laughter," Vic Gatrell''s study of comic prints produced in London during the late 18th and early 19th centuries, a period he deems the golden age of satire...The prints themselves, hundreds of them, are wonderful, and Gillray, in full flight, can be hilarious, with a surreal touch that makes him seem much more modern than his peers. Mr. Gatrell provides expert, detailed commentary on each and every one." - William Grimes, The New York Times "[An] exhilarating history...Gatrell''s book features nearly three hundred irreverently foul examples, to which he is an entertaining and appropriately digressive guide. In his hands, the prints provide a bewildering, sometimes nauseating, but ultimately enlightening portrait of a vigorously satirical time that lasted until the great settling down of the Victorian era." - The New Yorker "Graphic sex, booze and personal attacks were staples of the visual satire of 18th-century England, as Vic Gatrell''s "City of Laughter: Sex and Satire in Eighteenth-Century London" illustrates in delicious detail...A vivid social history...A refreshing, sometimes startling account...An invaluable history of these artists, engravers and print sellers and the raunchy, fleshy world they inhabited and depicted...The glory of "City of Laughter" is the nearly 300 illustrations, most in gorgeous color, that decorate its pages throughout. Walker & Company has done Gatrell proud: The entire book is printed on glossy paper that retains color and the clarity of the illustrations'' often intricate details, even though most of the prints are reduced in size from their originals, sometimes considerably...This is a scholarly work that you might approach as a coffee-table art book, or as some of us do the New Yorker, paging through the cartoons first. Filled with vibrant images celebrating the bawdy, the salacious and the grotesque, "City of Laughter" is a visual delight." - Kathryn Shevelow, San Diego Union-Tribune "A lively, erudite study." - Kirkus Reviews "Rarely has a book matched its subject better than "City of Laughter: Sex and Satire in Eighteenth- Century London.'''' Those times were gargantuan and teeming with life, and so is Vic Gatrell''s 695-page, richly illustrated work." - George Walden, Bloomberg.com "A wonderfully original, surprising, informative, fascinating and entertaining book. For years historians have been describing the rise of polite culture and polite manners in eighteenth-century London. Gatrell has spent those years examining the vast and almost entirely unresearched archive of comic and bawdy prints that tell us what made Londoners laugh around 1800. He tells us instead about the rudeness in the streets, the bedrooms, the taverns and the brothels, that pointed its joyful arse at the polite world." - Professor John Barrell, University of York , [An] exhilarating history...Gatrell's book features nearly three hundred irreverently foul examples, to which he is an entertaining and appropriately digressive guide. In his hands, the prints provide a bewildering, sometimes nauseating, but ultimately enlightening portrait of a vigorously satirical time that lasted until the great settling down of the Victorian era., "The fact that high and low coexisted in the minds and behaviors of actual Georgians is a bit of a leap for us. So too is an appreciation of these engravings, which are at once an expression of an extraordinarily refined visual facility and a ribald, often vicious temperament. The city that produced them — and whose life is the real subject of Gatrell's book — is similarly exotic terrain. Late Georgian London was a teeming and vibrant place, home to 10% of the country's people, ground zero for its aristocratic politics and its striving, though still fragile, middle class...It was the same place, of course, the same mixture of high and low, the same blend of want and opportunity. It was our world struggling to be born, and Gatrell has given us a vibrant album of its strange snap-shots." - Tim Rutten,Los Angeles Times "Laughter may be universal, but what provokes it is not. Even within a culture, humor can change drastically over a relatively short period. This truth is abundantly documented in "City of Laughter," Vic Gatrell's study of comic prints produced in London during the late 18th and early 19th centuries, a period he deems the golden age of satire…The prints themselves, hundreds of them, are wonderful, and Gillray, in full flight, can be hilarious, with a surreal touch that makes him seem much more modern than his peers. Mr. Gatrell provides expert, detailed commentary on each and every one." - William Grimes,The New York Times "[An] exhilarating history...Gatrell's book features nearly three hundred irreverently foul examples, to which he is an entertaining and appropriately digressive guide. In his hands, the prints provide a bewildering, sometimes nauseating, but ultimately enlightening portrait of a vigorously satirical time that lasted until the great settling down of the Victorian era." -The New Yorker "Graphic sex, booze and personal attacks were staples of the visual satire of 18th-century England, as Vic Gatrell's "City of Laughter: Sex and Satire in Eighteenth-Century London" illustrates in delicious detail…A vivid social history…A refreshing, sometimes startling account…An invaluable history of these artists, engravers and print sellers and the raunchy, fleshy world they inhabited and depicted...The glory of "City of Laughter" is the nearly 300 illustrations, most in gorgeous color, that decorate its pages throughout. Walker & Company has done Gatrell proud: The entire book is printed on glossy paper that retains color and the clarity of the illustrations' often intricate details, even though most of the prints are reduced in size from their originals, sometimes considerably…This is a scholarly work that you might approach as a coffee-table art book, or as some of us do the New Yorker, paging through the cartoons first. Filled with vibrant images celebrating the bawdy, the salacious and the grotesque, "City of Laughter" is a visual delight." - Kathryn Shevelow,San Diego Union-Tribune "A lively, erudite study." -Kirkus Reviews "Rarely has a book matched its subject better than "City of Laughter: Sex and Satire in Eighteenth- Century London.' Those times were gargantuan and teeming with life, and so is Vic Gatrell's 695-page, richly illustrated work." - George Walden,Bloomberg.com "A wonderfully original, surprising, informative, fascinating and entertaining book. For years historians have been describing the rise of polite culture and polite manners in eighteenth-century London. Gatrell has spent those years examining the vast and almost entirely unresearched archive of comic and bawdy prints that tell us what made London
Copyright Date
2007
Target Audience
Trade
Dewey Decimal
306.70942109033
Dewey Edition
22
Description de l'objet fournie par le vendeur
Informations sur le vendeur professionnel
Rebecca M Arendt
Shawn & Rebecca Arendt
, MO
United States
Je certifie que toutes mes activités de vente seront conformes à toutes les lois et réglementations de l'UE.
Le vendeur assume l'entière responsabilité de cette annonce.
Numéro de l'objet eBay :134956485081
Livraison et expédition
Lieu où se trouve l'objet :
Branson, Missouri, États-Unis
Destination :
Afghanistan, Afrique du Sud, Albanie, Algérie, Allemagne, Andorre, Angola, Anguilla, Antigua-et-Barbuda, Arabie saoudite, Argentine, Arménie, Aruba, Australie, Autriche, Azerbaïdjan, Bahamas, Bahreïn, Bangladesh, Belgique, Belize, Bermudes, Bhoutan, Bolivie, Bosnie-Herzégovine, Botswana, Brunei Darussalam, Bulgarie, Burkina Faso, Burundi, Bénin, Cambodge, Cameroun, Canada, Cap-Vert, Chili, Chine, Chypre, Colombie, Corée du Sud, Costa Rica, Croatie, Côte d'Ivoire, Danemark, Djibouti, Espagne, Estonie, Fidji, Finlande, France, Gabon, Gambie, Ghana, Gibraltar, Grenade, Groenland, Grèce, Guatemala, Guinée, Guinée équatoriale, Guinée-Bissau, Guyana, Géorgie, Haïti, Honduras, Hong Kong, Hongrie, Inde, Indonésie, Irlande, Islande, Israël, Italie, Jamaïque, Japon, Jordanie, Kazakhstan, Kenya, Kirghizistan, Kiribati, Koweït, Laos, Lesotho, Lettonie, Liban, Liberia, Liechtenstein, Lituanie, Luxembourg, Macao, Macédoine, Madagascar, Malaisie, Malawi, Maldives, Mali, Malte, Maroc, Maurice, Mauritanie, Mexique, Moldavie, Monaco, Monde entier, Mongolie, Montserrat, Monténégro, Mozambique, Namibie, Nauru, Nicaragua, Niger, Nigeria, Norvège, Nouvelle-Zélande, Népal, Oman, Ouganda, Ouzbékistan, Pakistan, Panama, Papouasie-Nouvelle-Guinée, Paraguay, Pays-Bas, Philippines, Pologne, Portugal, Pérou, Qatar, Roumanie, Royaume-Uni, Rwanda, République centrafricaine, République dominicaine, République du Congo, République démocratique du Congo, République tchèque, Saint-Christophe-et-Niévès, Saint-Marin, Saint-Vincent-et-les-Grenadines, Sainte-Lucie, Salvador, Samoa occidentales, Serbie, Seychelles, Sierra Leone, Singapour, Slovaque, Slovénie, Sri Lanka, Suisse, Suriname, Suède, Swaziland, Sénégal, Tadjikistan, Tanzanie, Taïwan, Tchad, Thaïlande, Togo, Tonga, Trinité-et-Tobago, Tunisie, Turkménistan, Turquie, Uruguay, Vanuatu, Vatican, Viêt Nam, Wallis-et-Futuna, Zambie, Zimbabwe, Égypte, Émirats arabes unis, Équateur, Érythrée, Éthiopie, Îles Caïmans, Îles Salomon, Îles Turques-et-Caïques
Exclus :
Barbade, Guadeloupe, Guyane, Libye, Martinique, Nouvelle-Calédonie, Polynésie française, Russie, Réunion, Ukraine, Venezuela
Livraison et expédition | à | Service | Livraison*Afficher les instructions de livraison |
---|---|---|---|
7,09 USD (environ 6,56 EUR) | États-Unis | Economique (USPS Media MailTM) | Estimé entre le jeu. 13 juin et le lun. 17 juin à 43230 |
18,10 USD (environ 16,74 EUR) | États-Unis | Livraison prioritaire (USPS Priority Mail®) | Estimé entre le jeu. 13 juin et le lun. 17 juin à 43230 |
Délai d'expédition |
---|
Envoi sous 1 jour ouvré après réception du paiement. |
Taxes |
---|
Le vendeur facture une taxe de vente dans |
Taxe de vente pour l'objet n°134956485081
Taxe de vente pour l'objet n°134956485081
Le vendeur facture une taxe de vente pour les États suivants :
État | Taux de la taxe de vente |
---|---|
Missouri (MO) | 6.1% |
Conditions de retour
Une fois l'objet reçu, contactez le vendeur dans un délai de | Mode de remboursement | Frais de retour |
---|---|---|
30 jours | Remboursement | L'acheteur paie les frais de retour |
Cliquez iciici pour en savoir plus sur les retours. Pour les transactions répondant aux conditions requises, vous êtes couvert par la Garantie client eBay si l'objet que vous avez reçu ne correspond pas à la description fournie dans l'annonce.
L'acheteur doit payer les frais de retour.
Détails des conditions de retour |
---|
Retours acceptés |
Détails du paiement
Modes de paiement
Remarque : il se peut que certains modes de paiement ne soient pas disponibles lors de la finalisation de l'achat en raison de l'évaluation des risques associés à l'acheteur.
Catégories populaires de cette Boutique
Inscrit comme vendeur professionnel
Évaluations en tant que vendeur (7 129)
b***n (550)- Évaluations laissées par l'acheteur.
Dernier mois
Achat vérifié
Good transaction overall, however the text was actually marked up though the description claimed it wasn’t..
a***b (47)- Évaluations laissées par l'acheteur.
Dernier mois
Achat vérifié
Book arrived on time in condition described. Excellent seller experience.
s***i (22)- Évaluations laissées par l'acheteur.
Dernier mois
Achat vérifié
Issue was in excellent condition as promised. It arrived quickly. Very happy and definitely recommend Membrana Books.
Notes et avis sur le produit
Rédigez un avis en premier.