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Loca Motion: Les voyages de la culture populaire chicana et latine par Michelle Habel-

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Loca Motion: The Travels of Chicana and Latina Popular Culture by Michelle Habel
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Lieu où se trouve l'objet : Fairfield, Ohio, États-Unis
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Caractéristiques de l'objet

État
Neuf: Livre neuf, n'ayant jamais été lu ni utilisé, en parfait état, sans pages manquantes ni ...
ISBN-13
9780814736630
Book Title
Loca Motion
ISBN
9780814736630
Subject Area
Literary Criticism, Drama, Performing Arts, Social Science
Publication Name
Loca Motion : the Travels of Chicana and Latina Popular Culture
Publisher
New York University Press
Item Length
9 in
Subject
Ethnic Studies / Hispanic American Studies, Women Authors, Drama, Popular Culture, General, Women's Studies
Publication Year
2005
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Michelle Habell-Pallan
Item Weight
23.5 Oz
Item Width
6 in
Number of Pages
310 Pages

À propos de ce produit

Product Identifiers

Publisher
New York University Press
ISBN-10
0814736637
ISBN-13
9780814736630
eBay Product ID (ePID)
43746365

Product Key Features

Number of Pages
310 Pages
Publication Name
Loca Motion : the Travels of Chicana and Latina Popular Culture
Language
English
Subject
Ethnic Studies / Hispanic American Studies, Women Authors, Drama, Popular Culture, General, Women's Studies
Publication Year
2005
Type
Textbook
Subject Area
Literary Criticism, Drama, Performing Arts, Social Science
Author
Michelle Habell-Pallan
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2004-023712
Reviews
" Loca Motion is a work of intelligent exuberance. Michelle Habell-Pallán has the eyes, ears, and heart to read popular performance, culture, and music as the new archives of Chicana and Latina transnational and translocal histories." - Lisa Lowe, UC San Diego, "Forget about Ricky Martin and Shakira, here come El Vez and Marga Gomez. Habell-Pallán has produced a highly original study of Chicano/Latino popular culture and of its local, national and international dimensions by taking us into the world of alternative and experimental Chicano/Latino art." -Arlene Davila,author of Barrio Dreams, "Loca Motionis a work of intelligent exuberance. Michelle Habell-Pallan has the eyes, ears, and heart to read popular performance, culture, and music as the new archives of Chicana and Latina transnational and translocal histories." - Lisa Lowe, UC San Diego, " Loca Motion is a work of intelligent exuberance. Michelle Habell-Pallán has the eyes, ears, and heart to read popular performance, culture, and music as the new archives of Chicana and Latina transnational and translocal histories." -Lisa Lowe,UC San Diego, "Forget about Ricky Martin and Shakira, here come El Vez and Marga Gomez. Habell-Palln has produced a highly original study of Chicano/Latino popular culture and of its local, national and international dimensions by taking us into the world of alternative and experimental Chicano/Latino art." -Arlene Davila,author of Barrio Dreams, "Forget about Ricky Martin and Shakira, here come El Vez and Marga Gomez. Habell-Pallán has produced a highly original study of Chicano/Latino popular culture and of its local, national and international dimensions by taking us into the world of alternative and experimental Chicano/Latino art." - Arlene Davila, author of Barrio Dreams, "Offers insight into the dynamics of race, class, gender and sexuality." - Hispanic LInk Weekly Report, " Loca Motion is a work of intelligent exuberance. Michelle Habell-Palln has the eyes, ears, and heart to read popular performance, culture, and music as the new archives of Chicana and Latina transnational and translocal histories." -Lisa Lowe,UC San Diego, "Forget about Ricky Martin and Shakira, here come El Vez and Marga Gomez. Habell-Pallán has produced a highly original study of Chicano/Latino popular culture and of its local, national and international dimensions by taking us into the world of alternative and experimental Chicano/Latino art." - Arlene Davila, author ofBarrio Dreams, "Loca Motionis a work of intelligent exuberance. Michelle Habell-Pallán has the eyes, ears, and heart to read popular performance, culture, and music as the new archives of Chicana and Latina transnational and translocal histories." - Lisa Lowe, UC San Diego, Loca Motion is a work of intelligent exuberance. Michelle Habell-Pallán has the eyes, ears, and heart to read popular performance, culture, and music as the new archives of Chicana and Latina transnational and translocal histories., Forget about Ricky Martin and Shakira, here come El Vez and Marga Gomez. Habell-Pallán has produced a highly original study of Chicano/Latino popular culture and of its local, national and international dimensions by taking us into the world of alternative and experimental Chicano/Latino art., "Forget about Ricky Martin and Shakira, here come El Vez and Marga Gomez. Habell-Pallan has produced a highly original study of Chicano/Latino popular culture and of its local, national and international dimensions by taking us into the world of alternative and experimental Chicano/Latino art." - Arlene Davila, author ofBarrio Dreams, "Offers insight into the dynamics of race, class, gender and sexuality." - Hispanic LInk Weekly Report ,, "Offers insight into the dynamics of race, class, gender and sexuality." -Hispanic LInk Weekly Report, Loca Motion is a work of intelligent exuberance. Michelle Habell-Pallán has the eyes, ears, and heart to read popular performance, culture, and music as the new archives of Chicana and Latina transnational and translocal histories.
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
791/.082/0973
Table Of Content
AcknowledgmentsIntroduction 1 From the Shadows of the Spanish Fantasy Heritage to a Transnational Imaginary 2 "No Cultural Icon": Marisela Norte and Spoken Word-East L.A. Noir and the U.S./Mexico Border 3 The Politics of Representation: Queerness and the Transnational Family in Luis Alfaro's Performance 4 Translated/Translating Woman: Comedienne/Solo Performer Marga Gomez, "Sending All Those Puerto Ricans Back to Mexico," and the Politics of a Sexualized Location 5 "'Soy Punkera, Y Que?": Sexuality, Translocality, and Punk in Los Angeles and Beyond 6 Bridge over Troubled Borders: The Transnational Appeal of Chicano Popular Music Epilogue: "Call Us Americans, 'Cause We Are All from the Americas": Latinos at Home in Canada NotesBibliography Index About the Author
Synopsis
2006 Honorable Mention for MLA Prize in US Latina and Latino and Chicana and Chicano Literary and Cultural Studies In the summer of 1995, El Vez, the "Mexican Elvis,"along with his backup singers and band, The Lovely Elvettes and the Memphis Mariachis, served as master of ceremony for a ground-breaking show, "Diva L.A.: A Salute to L.A.'s Latinas in the Tanda Style." The performances were remarkable not only for the talent displayed, but for their blend of linguistic, musical, and cultural traditions. In Loca Motion , Michelle Habell-Pallán argues that performances like Diva L.A. play a vital role in shaping and understanding contemporary transnational social dynamics. Chicano/a and Latino/a popular culture, including spoken word, performance art, comedy, theater, and punk music aesthetics, is central to developing cultural forms and identities that reach across and beyond the Americas, from Mexico City to Vancouver to Berlin. Drawing on the lives and work of a diverse group of artists, Habell-Pallan explores new perspectives that defy both traditional forms of Latino cultural nationalism and the expectations of U.S. culture. The result is a sophisticated rethinking of identity politics and an invaluable lens from which to view the complex dynamics of race, class, gender, and sexuality., In the summer of 1995, El Vez, the Mexican Elvis, along with his backup singers and band, The Lovely Elvettes and the Memphis Mariachis, served as master of ceremony for a ground-breaking show, Diva L.A.: A Salute to L.A.'s Latinas in the Tanda Style., 2006 Honorable Mention for MLA Prize in US Latina and Latino and Chicana and Chicano Literary and Cultural Studies In the summer of 1995, El Vez, the "Mexican Elvis,"along with his backup singers and band, The Lovely Elvettes and the Memphis Mariachis, served as master of ceremony for a ground-breaking show, "Diva L.A.: A Salute to L.A.'s Latinas in the Tanda Style." The performances were remarkable not only for the talent displayed, but for their blend of linguistic, musical, and cultural traditions. In Loca Motion , Michelle Habell-Pallán argues that performances like Diva L.A. play a vital role in shaping and understanding contemporary transnational social dynamics. Chicano/a and Latino/a popular culture, including spoken word, performance art, comedy, theater, and punk music aesthetics, is central to developing cultural forms and identities that reach across and beyond the Americas, from Mexico City to Vancouver to Berlin. Drawing on the lives and work of a diverse group of artists,Habell-Pallan explores new perspectives that defy both traditional forms of Latino cultural nationalism and the expectations of U.S. culture. The result is a sophisticated rethinking of identity politics and an invaluable lens from which to view the complex dynamics of race, class, gender, and sexuality., 2006 Honorable Mention for MLA Prize in US Latina and Latino and Chicana and Chicano Literary and Cultural Studies In the summer of 1995, El Vez, the "Mexican Elvis,"along with his backup singers and band, The Lovely Elvettes and the Memphis Mariachis, served as master of ceremony for a ground-breaking show, "Diva L.A.: A Salute to L.A.'s Latinas in the Tanda Style." The performances were remarkable not only for the talent displayed, but for their blend of linguistic, musical, and cultural traditions. In Loca Motion , Michelle Habell-Pall n argues that performances like Diva L.A. play a vital role in shaping and understanding contemporary transnational social dynamics. Chicano/a and Latino/a popular culture, including spoken word, performance art, comedy, theater, and punk music aesthetics, is central to developing cultural forms and identities that reach across and beyond the Americas, from Mexico City to Vancouver to Berlin. Drawing on the lives and work of a diverse group of artists, Habell-Pall n explores new perspectives that defy both traditional forms of Latino cultural nationalism and the expectations of U.S. culture. The result is a sophisticated rethinking of identity politics and an invaluable lens from which to view the complex dynamics of race, class, gender, and sexuality., In the summer of 1995, El Vez, the "Mexican Elvis," along with his backup singers and band, The Lovely Elvettes and the Memphis Mariachis, served as master of ceremony for a ground-breaking show, "Diva L.A.: A Salute to L.A.'s Latinas in the Tanda Style." The performances were remarkable not only for the talent displayed, but for their blend of linguistic, musical, and cultural traditions. In Loca Motion, Michelle Habell-Pallan argues that performances like Diva L.A. play a vital role in shaping and understanding contemporary transnational social dynamics. Chicano/a and Latino/a popular culture, including spoken word, performance art, comedy, theater, and punk music aesthetics, is central to developing cultural forms and identities that reach across and beyond the Americas, from Mexico City to Vancouver to Berlin. Drawing on the lives and work of a diverse group of artists, Habell-Pallan explores new perspectives that defy both traditional forms of Latino cultural nationalism and the expectations of U.S. culture. The result is a sophisticated rethinking of identity politics and an invaluable lens from which to view the complex dynamics of race, class, gender, and sexuality.
LC Classification Number
PS153.H56H33 2005

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