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Mallarme on Fashion : A Translation of the Fashion Magazine La Dernière Mode,-
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Numéro de l'objet eBay :285320288789
Dernière mise à jour le 20 août 2024 13:06:29 Paris. Afficher toutes les modificationsAfficher toutes les modifications
Caractéristiques de l'objet
- État
- Publication Date
- 2004-04-01
- Pages
- 221
- ISBN
- 1859737234
- Book Title
- Mallarmé on Fashion : a Translation of the Fashion Magazine La Dernière Mode, with Commentary
- Publisher
- Bloomsbury Publishing
- Item Length
- 9.2 in
- Publication Year
- 2004
- Format
- Trade Paperback
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.5 in
- Genre
- Literary Criticism, Design, Self-Help
- Topic
- European / French, Fashion & Accessories, Fashion & Style
- Item Weight
- 11.7 Oz
- Item Width
- 6.1 in
- Number of Pages
- 232 Pages
À propos de ce produit
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1859737234
ISBN-13
9781859737231
eBay Product ID (ePID)
2376614
Product Key Features
Book Title
Mallarmé on Fashion : a Translation of the Fashion Magazine La Dernière Mode, with Commentary
Number of Pages
232 Pages
Language
English
Topic
European / French, Fashion & Accessories, Fashion & Style
Publication Year
2004
Illustrator
Yes
Genre
Literary Criticism, Design, Self-Help
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
11.7 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2004-302401
Table Of Content
Part One: La Dernière Mode and its Pre-History * Part Two: The Journal, Fortnight by Fortnight with Commentary Issue One * Issue Two * Issue Three * Issue Four * Issue Five * Issue Six * Issue Seven * Issue Eight * Part Three: Paris 1874--A Postface
Synopsis
In the later months of 1874, the great French poet, Stephane Mallarme, undertook a highly idiosyncratic project - the publication of a fashion magazine (La Derniere Mode) that he almost single-handedly wrote and edited. Using a variety of feminine and masculine pseudonyms to theorize about the concept of fashion and to report and advise on womens clothing, popular vacation destinations, home furnishings and entertainment, Mallarme created a spectacularly original work that lies somewhere between Baudelaires seminal treatment of fashion in his essay on modernity, The Painter of Modern Life, and The Fashion System, Barthes brilliant semiology of clothing in the latter twentieth century. But the distinguishing feature of Mallarms magazine, and what differentiates it from the writing of Baudelaire and Barthes, is that it explores the nature of fashion from the inside. It is a genuine fashion magazine aspiring to lead fashion, though at the same time, by ingenious and appealing ironies, subtly satirizing this whole genre of writing. Various theories have been entertained about the work in the past, such as its being a prose poem, or alternatively a hoax or a mere money-making venture, but the present translators, in their commentary, argue that such guesses are hopelessly off the mark.Complete with the original artwork and a contextualizing introduction and commentary, Furbank and Cains definitive translation of one of French literatures greatest puzzles and surprises represents a major contribution to students, critics, theoreticians, and intellectual historians alike., In the later months of 1874, the great French poet, Stephane Mallarme, undertook a highly idiosyncratic project - the publication of a fashion magazine (La Derniere Mode) that he almost single-handedly wrote and edited. Using a variety of feminine and masculine pseudonyms to theorize about the concept of fashion and to report and advise on womens clothing, popular vacation destinations, home furnishings and entertainment, Mallarme created a spectacularly original work that lies somewhere between Baudelaires seminal treatment of fashion in his essay on modernity, The Painter of Modern Life, and The Fashion System, Barthes brilliant semiology of clothing in the latter twentieth century. But the distinguishing feature of Mallarms magazine, and what differentiates it from the writing of Baudelaire and Barthes, is that it explores the nature of fashion from the inside. It is a genuine fashion magazine aspiring to lead fashion, though at the same time, by ingenious and appealing ironies, subtly satirizing this whole genre of writing. Various theories have been entertained about the work in the past, such as its being a prose poem, or alternatively a hoax or a mere money-making venture, but the present translators, in their commentary, argue that such guesses are hopelessly off the mark. Complete with the original artwork and a contextualizing introduction and commentary, Furbank and Cains definitive translation of one of French literatures greatest puzzles and surprises represents a major contribution to students, critics, theoreticians, and intellectual historians alike., Jean-Michel Basquiat was barely out of his teens when he rocketed to the center of New York's art scene. He was 27 when he died of a heroin overdose. Always controversial, Basquiat is now established as a major contemporary painter whose unique work continues to enthrall. Jean-Michel Basquiat: A Biography covers the artist's Brooklyn childhood, his teenage years as a homeless graffiti painter, and his rise through the art world. Along with a discussion of his life and work, including his use of Afrocentric themes, the book offers background on related contemporary art movements. Special attention is given to Basquiat's friendship with Keith Haring and collaborations with Andy Warhol. The book also explores Basquiat's difficult relations with gallery owners and other authority figures, his problems with drug use, and his early death. A final chapter covers his continuing relevance and ongoing influence.
LC Classification Number
GT595
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Informations sur le vendeur professionnel
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